AC/DC · T.N.T.

School Days

School Days is in A major at 138.6 beats per minute.

4080120160200

Tempo

139 BPM · Allegromedian of 138 analyses · 138.5–139.3 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
138people who ran the extractor
One beat
432.9milliseconds, 60,000 ÷ BPM
Tuning
433.9Hz · -24 cents from A 440
Dynamics
5.54dB the level wanders from its average
Loudness
0.808Essentia's 0–1 scale, not dB
Danceability
1.33Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

138 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 138 readings; 99% of them land within 2% of it, and they barely differ at all.

At 138.6 BPM one beat lasts 432.9 milliseconds, so a sixteenth note is 108.2 ms and a dotted eighth 324.7 ms — the delay times for this recording. Counted half as fast it is 69.3 BPM, counted twice as fast 277.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 433.9 Hz, which is 24 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.54 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.808 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 139 BPM

Note valueBeatsMillisecondsHertz
Whole note41731.60.58
Half note2865.81.16
Dotted quarter1.5649.41.54
Quarter note (one beat)1432.92.31
Quarter triplet0.667288.63.47
Dotted eighth0.75324.73.08
Eighth note0.5216.54.62
Eighth triplet0.333144.36.93
Dotted sixteenth0.375162.36.16
Sixteenth note0.25108.29.24
Sixteenth triplet0.16772.213.86
Thirty-second note0.12554.118.48

Half time 69.3 BPM · double time 277.2 BPM. Every row is one beat (432.9 ms) times the fraction in the second column.

The same title by somebody else

  1. School DaysChuck BerryG major131BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. St. JimmyGreen DayA major139BPM
  2. Baby We’ve Got a Date (Rock It Baby)The WailersA major139BPM
  3. Eight Days a WeekThe BeatlesA major138BPM
  4. BirthdayThe BeatlesA major139BPM
  5. The Way We WereBarbra StreisandA major139BPM
  6. Train of Thoughta‐haA major140BPM
  7. Girl Keeps Coming ApartAerosmithA major140BPM
  8. I Can’t ExplainThe WhoA major138BPM
  9. PartyBostonA major138BPM
  10. Song for Bob DylanDavid BowieA major140BPM

Recordings in A major, ordered by how near their tempo is to 139 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 139 BPMA major at 130–139 BPMAC/DC

MusicBrainz collapses 10 recording ids into this one. Recording id 4017a598-74be-46fa-a7f0-7aad96aad29b.