Audioslave · Audioslave
The Last Remaining Light
The Last Remaining Light is in C major at 100.6 beats per minute.
Tempo
101 BPM · Andantemedian of 129 analyses · 100.6–101 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 84%share of analyses that agreed
- Analyses
- 129people who ran the extractor
- One beat
- 596.4milliseconds, 60,000 ÷ BPM
- Tuning
- 439.7Hz · -1 cents from A 440
- Dynamics
- 4.56dB the level wanders from its average
- Loudness
- 0.693Essentia's 0–1 scale, not dB
- Danceability
- 0.978Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
129 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 84% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 129 readings; 98% of them land within 2% of it, and they barely differ at all.
At 100.6 BPM one beat lasts 596.4 milliseconds, so a sixteenth note is 149.1 ms and a dotted eighth 447.3 ms — the delay times for this recording. Counted half as fast it is 50.3 BPM, counted twice as fast 201.2. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.7 Hz, which is 1 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.56 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.693 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 101 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2385.7 | 0.42 |
| Half note | 2 | 1192.8 | 0.84 |
| Dotted quarter | 1.5 | 894.6 | 1.12 |
| Quarter note (one beat) | 1 | 596.4 | 1.68 |
| Quarter triplet | 0.667 | 397.6 | 2.52 |
| Dotted eighth | 0.75 | 447.3 | 2.24 |
| Eighth note | 0.5 | 298.2 | 3.35 |
| Eighth triplet | 0.333 | 198.8 | 5.03 |
| Dotted sixteenth | 0.375 | 223.7 | 4.47 |
| Sixteenth note | 0.25 | 149.1 | 6.71 |
| Sixteenth triplet | 0.167 | 99.4 | 10.06 |
| Thirty-second note | 0.125 | 74.6 | 13.41 |
Half time 50.3 BPM · double time 201.2 BPM. Every row is one beat (596.4 ms) times the fraction in the second column.
Closest in key and tempo
- Tomorrow Never KnowsPhil CollinsC major101BPM
- Ballerina GirlLionel RichieC major101BPM
- Blue Jay WayThe BeatlesC major101BPM
- VeraPink FloydC major101BPM
- All Good Things (Come to an End)Nelly FurtadoC major101BPM
- DeliriousPrinceC major100BPM
- Somebody ElseThe 1975C major101BPM
- Marching Bands of ManhattanDeath Cab for CutieC major100BPM
- On Top of the WorldImagine DragonsC major100BPM
- UnderdogImagine DragonsC major100BPM
Recordings in C major, ordered by how near their tempo is to 101 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 101 BPMC major at 100–109 BPMAudioslave
MusicBrainz collapses 7 recording ids into this one. Recording id 3a111a7b-814d-40be-bc91-1d0d79d848c8.