Backstreet Boys · Unbreakable

Helpless When She Smiles

Helpless When She Smiles is in E major at 148 beats per minute.

4080120160200

Tempo

148 BPM · Allegromedian of 150 analyses · 148–148 across the middle eight tenths
Key
E major4 sharps · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
150people who ran the extractor
One beat
405.4milliseconds, 60,000 ÷ BPM
Tuning
440.5Hz · +2 cents from A 440
Dynamics
3.73dB the level wanders from its average
Loudness
0.9Essentia's 0–1 scale, not dB
Danceability
1.036Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

150 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 150 readings; 100% of them land within 2% of it, and they barely differ at all.

At 148 BPM one beat lasts 405.4 milliseconds, so a sixteenth note is 101.4 ms and a dotted eighth 304.1 ms — the delay times for this recording. Counted half as fast it is 74 BPM, counted twice as fast 296. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440.5 Hz, which is 2 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.73 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.9 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E major

Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 148 BPM

Note valueBeatsMillisecondsHertz
Whole note41621.60.62
Half note2810.81.23
Dotted quarter1.5608.11.64
Quarter note (one beat)1405.42.47
Quarter triplet0.667270.33.7
Dotted eighth0.75304.13.29
Eighth note0.5202.74.93
Eighth triplet0.333135.17.4
Dotted sixteenth0.3751526.58
Sixteenth note0.25101.49.87
Sixteenth triplet0.16767.614.8
Thirty-second note0.12550.719.73

Half time 74 BPM · double time 296 BPM. Every row is one beat (405.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. How Can You Mend a Broken HeartAl GreenE major148BPM
  2. King for a DayGreen DayE major148BPM
  3. Let’s Go Trippin’Dick Dale and His Del‐TonesE major148BPM
  4. Poison HeartRamonesE major149BPM
  5. Born to RunBruce SpringsteenE major147BPM
  6. The Last SongFoo FightersE major149BPM
  7. Planet TelexRadioheadE major149BPM
  8. Mama’s BoyRamonesE major147BPM
  9. The Ballad of Curtis LoewLynyrd SkynyrdE major147BPM
  10. Got My Mind Set on YouGeorge HarrisonE major149BPM

Recordings in E major, ordered by how near their tempo is to 148 BPM. A calculation, not a recommendation.

All songs in E majorAll songs at 148 BPME major at 140–149 BPMBackstreet Boys

MusicBrainz collapses 1 recording id into this one. Recording id dea95ca1-f8b3-4b23-9ada-f39cf97bfa94.