Bastille · Bad Blood
These Streets
These Streets is in F major at 97.4 beats per minute.
Tempo
97 BPM · Andantemedian of 145 analyses · 97.4–97.5 across the middle eight tenths- Key
- F major1 flat · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 145people who ran the extractor
- One beat
- 616milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.07dB the level wanders from its average
- Loudness
- 0.865Essentia's 0–1 scale, not dB
- Danceability
- 1.086Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
145 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 145 readings; 100% of them land within 2% of it, and they barely differ at all.
At 97.4 BPM one beat lasts 616 milliseconds, so a sixteenth note is 154 ms and a dotted eighth 462 ms — the delay times for this recording. Counted half as fast it is 48.7 BPM, counted twice as fast 194.8. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.07 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.865 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F major
Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 97 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2464.1 | 0.41 |
| Half note | 2 | 1232 | 0.81 |
| Dotted quarter | 1.5 | 924 | 1.08 |
| Quarter note (one beat) | 1 | 616 | 1.62 |
| Quarter triplet | 0.667 | 410.7 | 2.44 |
| Dotted eighth | 0.75 | 462 | 2.16 |
| Eighth note | 0.5 | 308 | 3.25 |
| Eighth triplet | 0.333 | 205.3 | 4.87 |
| Dotted sixteenth | 0.375 | 231 | 4.33 |
| Sixteenth note | 0.25 | 154 | 6.49 |
| Sixteenth triplet | 0.167 | 102.7 | 9.74 |
| Thirty-second note | 0.125 | 77 | 12.99 |
Half time 48.7 BPM · double time 194.8 BPM. Every row is one beat (616 ms) times the fraction in the second column.
Closest in key and tempo
- Love Don’t Cost a ThingJennifer LopezF major98BPM
- I Can’t See Myself Leaving YouAretha FranklinF major98BPM
- Hold OnWilson PhillipsF major98BPM
- CalifornicationRed Hot Chili PeppersF major97BPM
- Alarm CallBjörkF major97BPM
- Amazing DayColdplayF major97BPM
- YesterdayThe BeatlesF major97BPM
- AyoChris Brown & TygaF major98BPM
- All You Had to Do Was StayTaylor SwiftF major97BPM
- Real EmotionCéline DionF major98BPM
Recordings in F major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.
All songs in F majorAll songs at 97 BPMF major at 90–99 BPMBastille
MusicBrainz collapses 2 recording ids into this one. Recording id d47c7de4-bc70-4c10-88d3-b2330b575a1c.