Beck · Odelay
Derelict
Derelict is in C sharp minor at 105.1 beats per minute.
Tempo
105 BPM · Andantemedian of 128 analyses · 105.1–105.1 across the middle eight tenths- Key
- C♯ minor4 sharps · the key most of the analyses agreed on
- Agreement
- 95%share of analyses that agreed
- Analyses
- 128people who ran the extractor
- One beat
- 570.9milliseconds, 60,000 ÷ BPM
- Tuning
- 443.8Hz · +15 cents from A 440
- Dynamics
- 3.43dB the level wanders from its average
- Loudness
- 0.462Essentia's 0–1 scale, not dB
- Danceability
- 1.359Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
128 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 95% — put it in C sharp minor, a key signature of 4 sharps. The tempo printed above is the median of the 128 readings; 100% of them land within 2% of it, and they barely differ at all.
At 105.1 BPM one beat lasts 570.9 milliseconds, so a sixteenth note is 142.7 ms and a dotted eighth 428.2 ms — the delay times for this recording. Counted half as fast it is 52.6 BPM, counted twice as fast 210.2. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 443.8 Hz, which is 15 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.43 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.462 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C sharp minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C♯ minor
Each of these differs from C♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 105 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2283.5 | 0.44 |
| Half note | 2 | 1141.8 | 0.88 |
| Dotted quarter | 1.5 | 856.3 | 1.17 |
| Quarter note (one beat) | 1 | 570.9 | 1.75 |
| Quarter triplet | 0.667 | 380.6 | 2.63 |
| Dotted eighth | 0.75 | 428.2 | 2.34 |
| Eighth note | 0.5 | 285.4 | 3.5 |
| Eighth triplet | 0.333 | 190.3 | 5.26 |
| Dotted sixteenth | 0.375 | 214.1 | 4.67 |
| Sixteenth note | 0.25 | 142.7 | 7.01 |
| Sixteenth triplet | 0.167 | 95.1 | 10.51 |
| Thirty-second note | 0.125 | 71.4 | 14.01 |
Half time 52.6 BPM · double time 210.2 BPM. Every row is one beat (570.9 ms) times the fraction in the second column.
Closest in key and tempo
- CrawlingLinkin ParkC♯ minor105BPM
- Million Years AgoAdeleC♯ minor106BPM
- Everybody KnowsLeonard CohenC♯ minor104BPM
- The Right ManChristina AguileraC♯ minor106BPM
- SlideCalvin Harris feat. Frank Ocean & MigosC♯ minor104BPM
- ButterflyzAlicia KeysC♯ minor104BPM
- That GirlStevie WonderC♯ minor107BPM
- Head GamesForeignerC♯ minor108BPM
- TreasonTim DaviesC♯ minor108BPM
- VoodooBlack SabbathC♯ minor102BPM
Recordings in C sharp minor, ordered by how near their tempo is to 105 BPM. A calculation, not a recommendation.
All songs in C sharp minorAll songs at 105 BPMC♯ minor at 100–109 BPMBeck
MusicBrainz collapses 5 recording ids into this one. Recording id 2bedc929-0481-4cdc-8d5a-fcf18fdd34b3.