TempoPeek

Bee Gees · One Night Only

Our Love (Don't Throw It All Away)

Our Love (Don't Throw It All Away) is in G major at 143.9 beats per minute.

4080120160200

Tempo

144 BPM · Allegromedian of 145 analyses · 143.8–144 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
99%share of analyses that agreed
Analyses
145people who ran the extractor
One beat
417milliseconds, 60,000 ÷ BPM
Tuning
442.8Hz · +11 cents from A 440
Dynamics
4.16dB the level wanders from its average
Loudness
0.775Essentia's 0–1 scale, not dB
Danceability
1.126Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

145 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 145 readings; 100% of them land within 2% of it, and they barely differ at all.

At 143.9 BPM one beat lasts 417 milliseconds, so a sixteenth note is 104.2 ms and a dotted eighth 312.7 ms — the delay times for this recording. Counted half as fast it is 72 BPM, counted twice as fast 287.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 442.8 Hz, which is 11 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.16 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.775 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 144 BPM

Note valueBeatsMillisecondsHertz
Whole note41667.80.6
Half note2833.91.2
Dotted quarter1.5625.41.6
Quarter note (one beat)14172.4
Quarter triplet0.6672783.6
Dotted eighth0.75312.73.2
Eighth note0.5208.54.8
Eighth triplet0.3331397.2
Dotted sixteenth0.375156.46.4
Sixteenth note0.25104.29.59
Sixteenth triplet0.16769.514.39
Thirty-second note0.12552.119.19

Half time 72 BPM · double time 287.8 BPM. Every row is one beat (417 ms) times the fraction in the second column.

Closest in key and tempo

  1. Lost HorizonsGin BlossomsG major144BPM
  2. So Far AwayCarole KingG major144BPM
  3. 13 BeachesLana Del ReyG major144BPM
  4. She’s Lost ControlJoy DivisionG major144BPM
  5. She’s Got a WayBilly JoelG major144BPM
  6. I’m a ManThe YardbirdsG major144BPM
  7. Red SailsDavid BowieG major144BPM
  8. I’m in Love With My CarQueenG major144BPM
  9. Honey PieThe BeatlesG major144BPM
  10. FearlessPink FloydG major144BPM

Recordings in G major, ordered by how near their tempo is to 144 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 144 BPMG major at 140–149 BPMBee Gees

MusicBrainz collapses 7 recording ids into this one. Recording id 0aa8a822-4e0d-4edf-951a-fe8d034cb351.