Beyoncé · Dangerously in Love

Beyoncé Interlude

Beyoncé Interlude is in A major at 107.1 beats per minute.

4080120160200

Tempo

107 BPM · Andantemedian of 134 analyses · 107.1–127.3 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
81%share of analyses that agreed
Analyses
134people who ran the extractor
One beat
560.2milliseconds, 60,000 ÷ BPM
Tuning
456.6Hz · +64 cents from A 440
Dynamics
12.85dB the level wanders from its average
Loudness
0.482Essentia's 0–1 scale, not dB
Danceability
1.183Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

134 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 81% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 134 readings; 63% of them land within 2% of it, and the middle eight tenths of them run from 107.1 to 127.3 BPM.

At 107.1 BPM one beat lasts 560.2 milliseconds, so a sixteenth note is 140.1 ms and a dotted eighth 420.2 ms — the delay times for this recording. Counted half as fast it is 53.6 BPM, counted twice as fast 214.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 456.6 Hz, which is 64 cents above concert A at 440 Hz — far enough that playing along at 440 Hz will sound wrong. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 12.85 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.482 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 107 BPM

Note valueBeatsMillisecondsHertz
Whole note42240.90.45
Half note21120.40.89
Dotted quarter1.5840.31.19
Quarter note (one beat)1560.21.79
Quarter triplet0.667373.52.68
Dotted eighth0.75420.22.38
Eighth note0.5280.13.57
Eighth triplet0.333186.75.36
Dotted sixteenth0.375210.14.76
Sixteenth note0.25140.17.14
Sixteenth triplet0.16793.410.71
Thirty-second note0.1257014.28

Half time 53.6 BPM · double time 214.2 BPM. Every row is one beat (560.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Hot in HerreNellyA major107BPM
  2. The Full BugVan HalenA major107BPM
  3. One Way OutThe Allman Brothers BandA major107BPM
  4. UnionThe Black Eyed Peas feat. StingA major107BPM
  5. Numb / EncoreJay‐Z / Linkin ParkA major107BPM
  6. Some Sin for Nuthin’AC/DCA major107BPM
  7. Holly HolyNeil DiamondA major107BPM
  8. Ultra Violet (Light My Way)U2A major108BPM
  9. Dig for FirePixiesA major108BPM
  10. Freak on a LeashKornA major107BPM

Recordings in A major, ordered by how near their tempo is to 107 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 107 BPMA major at 100–109 BPMBeyoncé

MusicBrainz collapses 1 recording id into this one. Recording id 7d26b22c-2dce-4751-834f-d53d7d0258b5.