Björk · Vespertine
Aurora
Aurora is in C major at 120 beats per minute.
Tempo
120 BPM · Allegromedian of 182 analyses · 119.9–120 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 73%share of analyses that agreed
- Analyses
- 182people who ran the extractor
- One beat
- 500milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 5.07dB the level wanders from its average
- Loudness
- 0.738Essentia's 0–1 scale, not dB
- Danceability
- 0.996Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
182 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 73% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 182 readings; 100% of them land within 2% of it, and they barely differ at all.
At 120 BPM one beat lasts 500 milliseconds, so a sixteenth note is 125 ms and a dotted eighth 375 ms — the delay times for this recording. Counted half as fast it is 60 BPM, counted twice as fast 240. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.07 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.738 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 120 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2000 | 0.5 |
| Half note | 2 | 1000 | 1 |
| Dotted quarter | 1.5 | 750 | 1.33 |
| Quarter note (one beat) | 1 | 500 | 2 |
| Quarter triplet | 0.667 | 333.3 | 3 |
| Dotted eighth | 0.75 | 375 | 2.67 |
| Eighth note | 0.5 | 250 | 4 |
| Eighth triplet | 0.333 | 166.7 | 6 |
| Dotted sixteenth | 0.375 | 187.5 | 5.33 |
| Sixteenth note | 0.25 | 125 | 8 |
| Sixteenth triplet | 0.167 | 83.3 | 12 |
| Thirty-second note | 0.125 | 62.5 | 16 |
Half time 60 BPM · double time 240 BPM. Every row is one beat (500 ms) times the fraction in the second column.
The same title by somebody else
Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.
Closest in key and tempo
- Hello AgainNeil DiamondC major120BPM
- The Invisible ManQueenC major120BPM
- My GirlsAnimal CollectiveC major120BPM
- Find a Way to My HeartPhil CollinsC major120BPM
- Outside the WallPink FloydC major120BPM
- MusicMadonnaC major120BPM
- The First Time Ever I Saw Your FaceCéline DionC major120BPM
- Sweet ThingDavid BowieC major120BPM
- Take It or Leave ItCage the ElephantC major120BPM
- So HardPet Shop BoysC major120BPM
Recordings in C major, ordered by how near their tempo is to 120 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 120 BPMC major at 120–129 BPMBjörk
MusicBrainz collapses 8 recording ids into this one. Recording id a8ecddff-32ff-4cb4-a711-982b4333eff6.