TempoPeek

blink‐182 · Cheshire Cat

Fentoozler

Fentoozler is in E major at 112.2 beats per minute.

4080120160200

Tempo

112 BPM · Moderatomedian of 175 analyses · 107.4–112.4 across the middle eight tenths
Key
E major4 sharps · the key most of the analyses agreed on
Agreement
93%share of analyses that agreed
Analyses
175people who ran the extractor
One beat
534.8milliseconds, 60,000 ÷ BPM
Tuning
441.5Hz · +6 cents from A 440
Dynamics
1.75dB the level wanders from its average
Loudness
0.884Essentia's 0–1 scale, not dB
Danceability
0.976Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

175 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 93% — put it in E major, a key signature of 4 sharps. The tempo printed above is the median of the 175 readings; 53% of them land within 2% of it, and the middle eight tenths of them run from 107.4 to 112.4 BPM.

At 112.2 BPM one beat lasts 534.8 milliseconds, so a sixteenth note is 133.7 ms and a dotted eighth 401.1 ms — the delay times for this recording. Counted half as fast it is 56.1 BPM, counted twice as fast 224.4. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.5 Hz, which is 6 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 1.75 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.884 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E major

Each of these differs from E major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 112 BPM

Note valueBeatsMillisecondsHertz
Whole note421390.47
Half note21069.50.94
Dotted quarter1.5802.11.25
Quarter note (one beat)1534.81.87
Quarter triplet0.667356.52.81
Dotted eighth0.75401.12.49
Eighth note0.5267.43.74
Eighth triplet0.333178.35.61
Dotted sixteenth0.375200.54.99
Sixteenth note0.25133.77.48
Sixteenth triplet0.16789.111.22
Thirty-second note0.12566.814.96

Half time 56.1 BPM · double time 224.4 BPM. Every row is one beat (534.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Wicked GameChris IsaakE major112BPM
  2. In the Midnight HourWilson PickettE major112BPM
  3. BreakoutSwing Out SisterE major113BPM
  4. Half Light II (No Celebration)Arcade FireE major113BPM
  5. Disenchanted LullabyFoo FightersE major113BPM
  6. BackwoodsThe Red Hot Chili PeppersE major111BPM
  7. Seeyadeadmau5 feat. Colleen D’AgostinoE major111BPM
  8. Hollywood WaltzEaglesE major111BPM
  9. True Men Don’t Kill CoyotesThe Red Hot Chili PeppersE major111BPM
  10. FlyCéline DionE major111BPM

Recordings in E major, ordered by how near their tempo is to 112 BPM. A calculation, not a recommendation.

All songs in E majorAll songs at 112 BPME major at 110–119 BPMblink‐182

MusicBrainz collapses 2 recording ids into this one. Recording id fbb06a71-ff1f-41ab-a2df-3f7561e3cbb7.