Bob Dylan · Blood on the Tracks
You’re a Big Girl Now
You’re a Big Girl Now is in G major at 151.4 beats per minute.
Tempo
151 BPM · Allegromedian of 184 analyses · 135.7–152 across the middle eight tenths- Key
- G major1 sharp · the key most of the analyses agreed on
- Agreement
- 75%share of analyses that agreed
- Analyses
- 184people who ran the extractor
- One beat
- 396.3milliseconds, 60,000 ÷ BPM
- Tuning
- 443.6Hz · +14 cents from A 440
- Dynamics
- 4.32dB the level wanders from its average
- Loudness
- 0.579Essentia's 0–1 scale, not dB
- Danceability
- 1.06Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
184 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 75% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 184 readings; 79% of them land within 2% of it, and the middle eight tenths of them run from 135.7 to 152 BPM.
At 151.4 BPM one beat lasts 396.3 milliseconds, so a sixteenth note is 99.1 ms and a dotted eighth 297.2 ms — the delay times for this recording. Counted half as fast it is 75.7 BPM, counted twice as fast 302.8. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 443.6 Hz, which is 14 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.32 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.579 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G major
Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 151 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1585.2 | 0.63 |
| Half note | 2 | 792.6 | 1.26 |
| Dotted quarter | 1.5 | 594.5 | 1.68 |
| Quarter note (one beat) | 1 | 396.3 | 2.52 |
| Quarter triplet | 0.667 | 264.2 | 3.79 |
| Dotted eighth | 0.75 | 297.2 | 3.36 |
| Eighth note | 0.5 | 198.2 | 5.05 |
| Eighth triplet | 0.333 | 132.1 | 7.57 |
| Dotted sixteenth | 0.375 | 148.6 | 6.73 |
| Sixteenth note | 0.25 | 99.1 | 10.09 |
| Sixteenth triplet | 0.167 | 66.1 | 15.14 |
| Thirty-second note | 0.125 | 49.5 | 20.19 |
Half time 75.7 BPM · double time 302.8 BPM. Every row is one beat (396.3 ms) times the fraction in the second column.
Closest in key and tempo
- She Loves YouThe BeatlesG major152BPM
- Sexy SadieThe BeatlesG major151BPM
- Any Colour You LikePink FloydG major152BPM
- Can’t You Hear Me KnockingThe Rolling StonesG major152BPM
- Brown Eyed GirlVan MorrisonG major152BPM
- Run‐AroundBlues TravelerG major152BPM
- The KKK Took My Baby AwayRamonesG major152BPM
- HeroEnrique IglesiasG major152BPM
- February StarsFoo FightersG major152BPM
- Trouble IsBackstreet BoysG major152BPM
Recordings in G major, ordered by how near their tempo is to 151 BPM. A calculation, not a recommendation.
All songs in G majorAll songs at 151 BPMG major at 150–159 BPMBob Dylan
MusicBrainz collapses 62 recording ids into this one. Recording id 11e43295-b007-4222-a4aa-c90576ef3372.