Britney Spears · In the Zone
Everytime
Everytime is in E flat major at 109.5 beats per minute.
Tempo
110 BPM · Moderatomedian of 177 analyses · 109.4–109.6 across the middle eight tenths- Key
- E♭ major3 flats · the key most of the analyses agreed on
- Agreement
- 96%share of analyses that agreed
- Analyses
- 177people who ran the extractor
- One beat
- 547.9milliseconds, 60,000 ÷ BPM
- Tuning
- 439.5Hz · -2 cents from A 440
- Dynamics
- 4.72dB the level wanders from its average
- Loudness
- 0.638Essentia's 0–1 scale, not dB
- Danceability
- 1.023Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
177 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 177 readings; 96% of them land within 2% of it, and they barely differ at all.
At 109.5 BPM one beat lasts 547.9 milliseconds, so a sixteenth note is 137 ms and a dotted eighth 411 ms — the delay times for this recording. Counted half as fast it is 54.8 BPM, counted twice as fast 219. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.5 Hz, which is 2 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.72 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.638 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E♭ major
Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 110 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2191.8 | 0.46 |
| Half note | 2 | 1095.9 | 0.91 |
| Dotted quarter | 1.5 | 821.9 | 1.22 |
| Quarter note (one beat) | 1 | 547.9 | 1.83 |
| Quarter triplet | 0.667 | 365.3 | 2.74 |
| Dotted eighth | 0.75 | 411 | 2.43 |
| Eighth note | 0.5 | 274 | 3.65 |
| Eighth triplet | 0.333 | 182.6 | 5.48 |
| Dotted sixteenth | 0.375 | 205.5 | 4.87 |
| Sixteenth note | 0.25 | 137 | 7.3 |
| Sixteenth triplet | 0.167 | 91.3 | 10.95 |
| Thirty-second note | 0.125 | 68.5 | 14.6 |
Half time 54.8 BPM · double time 219 BPM. Every row is one beat (547.9 ms) times the fraction in the second column.
Closest in key and tempo
- Move AlongThe All‐American RejectsE♭ major110BPM
- In My HeadJason DerüloE♭ major110BPM
- HoudiniFoster the PeopleE♭ major110BPM
- Summit SiegeTim DaviesE♭ major109BPM
- BarcelonaFreddie Mercury & Montserrat CaballéE♭ major110BPM
- I Wonder WhoRay CharlesE♭ major110BPM
- Lonesome DayBruce SpringsteenE♭ major110BPM
- Blues to ElvinJohn ColtraneE♭ major110BPM
- Get Up (I Feel Like Being a) Sex MachineJames BrownE♭ major108BPM
- Live for the One I LoveCéline DionE♭ major111BPM
Recordings in E flat major, ordered by how near their tempo is to 110 BPM. A calculation, not a recommendation.
All songs in E flat majorAll songs at 110 BPME♭ major at 100–109 BPMBritney Spears
MusicBrainz collapses 13 recording ids into this one. Recording id e1e3bacc-39fa-49d9-84c7-b37513e23760.