Bryan Adams · Waking Up the Neighbours

(Everything I Do) I Do It for You

(Everything I Do) I Do It for You is in D flat major at 131.3 beats per minute.

Tempo

131 BPM · Allegromedian of 364 analyses · 131.2–131.3 across the middle eight tenths

Key: D♭ major5 flats · the key most of the analyses agreed on
Agreement: 96%share of analyses that agreed
Analyses: 364people who ran the extractor
One beat: 457milliseconds, 60,000 ÷ BPM
Tuning: 437Hz · -12 cents from A 440
Dynamics: 5.71dB the level wanders from its average
Loudness: 0.557Essentia's 0–1 scale, not dB
Danceability: 1.007Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

364 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 364 readings; 99% of them land within 2% of it, and they barely differ at all.

At 131.3 BPM one beat lasts 457 milliseconds, so a sixteenth note is 114.2 ms and a dotted eighth 342.7 ms — the delay times for this recording. Counted half as fast it is 65.7 BPM, counted twice as fast 262.6. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 437 Hz, which is 12 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.71 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.557 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D♭ major

Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 131 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	1827.9	0.55
Half note	2	913.9	1.09
Dotted quarter	1.5	685.5	1.46
Quarter note (one beat)	1	457	2.19
Quarter triplet	0.667	304.6	3.28
Dotted eighth	0.75	342.7	2.92
Eighth note	0.5	228.5	4.38
Eighth triplet	0.333	152.3	6.57
Dotted sixteenth	0.375	171.4	5.84
Sixteenth note	0.25	114.2	8.75
Sixteenth triplet	0.167	76.2	13.13
Thirty-second note	0.125	57.1	17.51

Half time 65.7 BPM · double time 262.6 BPM. Every row is one beat (457 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in D flat major, ordered by how near their tempo is to 131 BPM. A calculation, not a recommendation.

All songs in D flat major All songs at 131 BPM D♭ major at 130–139 BPM Bryan Adams

MusicBrainz collapses 46 recording ids into this one. Recording id 8003d71b-d310-4f96-bb91-27d6008648e3.