Bryan Adams, Rod Stewart & Sting · Bryan Adams
All for Love
All for Love is in D major at 149.6 beats per minute.
Tempo
150 BPM · Allegromedian of 246 analyses · 149.6–149.9 across the middle eight tenths- Key
- D major2 sharps · the key most of the analyses agreed on
- Agreement
- 98%share of analyses that agreed
- Analyses
- 246people who ran the extractor
- One beat
- 401.1milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.12dB the level wanders from its average
- Loudness
- 0.859Essentia's 0–1 scale, not dB
- Danceability
- 1.012Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
246 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in D major, a key signature of 2 sharps. The tempo printed above is the median of the 246 readings; 100% of them land within 2% of it, and they barely differ at all.
At 149.6 BPM one beat lasts 401.1 milliseconds, so a sixteenth note is 100.3 ms and a dotted eighth 300.8 ms — the delay times for this recording. Counted half as fast it is 74.8 BPM, counted twice as fast 299.2. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.12 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.859 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D major
Each of these differs from D major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 150 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1604.3 | 0.62 |
| Half note | 2 | 802.1 | 1.25 |
| Dotted quarter | 1.5 | 601.6 | 1.66 |
| Quarter note (one beat) | 1 | 401.1 | 2.49 |
| Quarter triplet | 0.667 | 267.4 | 3.74 |
| Dotted eighth | 0.75 | 300.8 | 3.32 |
| Eighth note | 0.5 | 200.5 | 4.99 |
| Eighth triplet | 0.333 | 133.7 | 7.48 |
| Dotted sixteenth | 0.375 | 150.4 | 6.65 |
| Sixteenth note | 0.25 | 100.3 | 9.97 |
| Sixteenth triplet | 0.167 | 66.8 | 14.96 |
| Thirty-second note | 0.125 | 50.1 | 19.95 |
Half time 74.8 BPM · double time 299.2 BPM. Every row is one beat (401.1 ms) times the fraction in the second column.
Closest in key and tempo
- NightingaleNorah JonesD major150BPM
- What the HellAvril LavigneD major150BPM
- RadioLana Del ReyD major150BPM
- A‐YOLady GagaD major150BPM
- Spanish BombsThe ClashD major149BPM
- Muscle of LoveAlice CooperD major150BPM
- Peggy Sue (alternate version)Buddy Holly & The CricketsD major149BPM
- Dear PrudenceThe BeatlesD major151BPM
- Baby Can I Hold YouTracy ChapmanD major149BPM
- SexThe 1975D major148BPM
Recordings in D major, ordered by how near their tempo is to 150 BPM. A calculation, not a recommendation.
All songs in D majorAll songs at 150 BPMD major at 140–149 BPM
MusicBrainz collapses 3 recording ids into this one. Recording id ac484ef3-e1c8-4d11-bbfc-8e205bd53099.