TempoPeek

Céline Dion · Unison

I Feel Too Much

I Feel Too Much is in F major at 124.9 beats per minute.

4080120160200

Tempo

125 BPM · Allegromedian of 157 analyses · 124.8–124.9 across the middle eight tenths
Key
F major1 flat · the key most of the analyses agreed on
Agreement
62%share of analyses that agreed
Analyses
157people who ran the extractor
One beat
480.4milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
5.55dB the level wanders from its average
Loudness
0.848Essentia's 0–1 scale, not dB
Danceability
1.342Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

157 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 62% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 157 readings; 100% of them land within 2% of it, and they barely differ at all.

At 124.9 BPM one beat lasts 480.4 milliseconds, so a sixteenth note is 120.1 ms and a dotted eighth 360.3 ms — the delay times for this recording. Counted half as fast it is 62.5 BPM, counted twice as fast 249.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.55 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.848 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 125 BPM

Note valueBeatsMillisecondsHertz
Whole note41921.50.52
Half note2960.81.04
Dotted quarter1.5720.61.39
Quarter note (one beat)1480.42.08
Quarter triplet0.667320.33.12
Dotted eighth0.75360.32.78
Eighth note0.5240.24.16
Eighth triplet0.333160.16.25
Dotted sixteenth0.375180.15.55
Sixteenth note0.25120.18.33
Sixteenth triplet0.16780.112.49
Thirty-second note0.1256016.65

Half time 62.5 BPM · double time 249.8 BPM. Every row is one beat (480.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. How BizarreOMCF major125BPM
  2. RiverBishop BriggsF major125BPM
  3. California GurlsKaty Perry feat. Snoop DoggF major125BPM
  4. Girls Like YouMaroon 5F major125BPM
  5. Get on the FloorMichael JacksonF major124BPM
  6. SOSABBAF major126BPM
  7. By the WayRed Hot Chili PeppersF major126BPM
  8. Love Me in a Special WayDeBargeF major126BPM
  9. AmericaNeil DiamondF major126BPM
  10. We’ve Gotta Get Out of This PlaceThe AnimalsF major124BPM

Recordings in F major, ordered by how near their tempo is to 125 BPM. A calculation, not a recommendation.

All songs in F majorAll songs at 125 BPMF major at 120–129 BPMCéline Dion

MusicBrainz collapses 1 recording id into this one. Recording id b03287e2-6dd1-4bdf-b17b-712b9bc329e0.