TempoPeek

Céline Dion · Let’s Talk About Love

Why Oh Why

Why Oh Why is in D flat major at 86.4 beats per minute.

4080120160200

Tempo

86 BPM · Andantemedian of 155 analyses · 86.4–86.4 across the middle eight tenths
Key
D♭ major5 flats · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
155people who ran the extractor
One beat
694.4milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.08dB the level wanders from its average
Loudness
0.77Essentia's 0–1 scale, not dB
Danceability
1.232Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

155 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 155 readings; 100% of them land within 2% of it, and they barely differ at all.

At 86.4 BPM one beat lasts 694.4 milliseconds, so a sixteenth note is 173.6 ms and a dotted eighth 520.8 ms — the delay times for this recording. Counted half as fast it is 43.2 BPM, counted twice as fast 172.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.08 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.77 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D♭ major

Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 86 BPM

Note valueBeatsMillisecondsHertz
Whole note42777.80.36
Half note21388.90.72
Dotted quarter1.51041.70.96
Quarter note (one beat)1694.41.44
Quarter triplet0.6674632.16
Dotted eighth0.75520.81.92
Eighth note0.5347.22.88
Eighth triplet0.333231.54.32
Dotted sixteenth0.375260.43.84
Sixteenth note0.25173.65.76
Sixteenth triplet0.167115.78.64
Thirty-second note0.12586.811.52

Half time 43.2 BPM · double time 172.8 BPM. Every row is one beat (694.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. I Don’t Deserve YouLloyd Banks feat. JeremihD♭ major87BPM
  2. AloneHeartD♭ major87BPM
  3. PositivityBlack Eyed PeasD♭ major85BPM
  4. FallingforyouThe 1975D♭ major85BPM
  5. Give Peace a ChanceThe Plastic Ono BandD♭ major85BPM
  6. The Long Day Is OverNorah JonesD♭ major85BPM
  7. Another GirlThe BeatlesD♭ major89BPM
  8. Throwing It All AwayGenesisD♭ major84BPM
  9. LegendaryDayaD♭ major84BPM
  10. Doin’ It RightDaft Punk feat. Panda BearD♭ major89BPM

Recordings in D flat major, ordered by how near their tempo is to 86 BPM. A calculation, not a recommendation.

All songs in D flat majorAll songs at 86 BPMD♭ major at 80–89 BPMCéline Dion

MusicBrainz collapses 2 recording ids into this one. Recording id ba903e92-2804-41b0-b71e-d51126749053.