Chicago · Chicago VI

Feelin’ Stronger Every Day

Feelin’ Stronger Every Day is in A minor at 162.1 beats per minute.

4080120160200

Tempo

162 BPM · Vivacemedian of 142 analyses · 147.5–162.3 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
81%share of analyses that agreed
Analyses
142people who ran the extractor
One beat
370.1milliseconds, 60,000 ÷ BPM
Tuning
443.6Hz · +14 cents from A 440
Dynamics
3.31dB the level wanders from its average
Loudness
0.918Essentia's 0–1 scale, not dB
Danceability
1.258Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

142 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 81% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 142 readings; 80% of them land within 2% of it, and the middle eight tenths of them run from 147.5 to 162.3 BPM.

At 162.1 BPM one beat lasts 370.1 milliseconds, so a sixteenth note is 92.5 ms and a dotted eighth 277.6 ms — the delay times for this recording. Counted half as fast it is 81.1 BPM, counted twice as fast 324.2. A score would mark that Vivace, by the ranges this site uses.

The analyses put the reference pitch of the recording at 443.6 Hz, which is 14 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.31 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.918 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 162 BPM

Note valueBeatsMillisecondsHertz
Whole note41480.60.68
Half note2740.31.35
Dotted quarter1.5555.21.8
Quarter note (one beat)1370.12.7
Quarter triplet0.667246.84.05
Dotted eighth0.75277.63.6
Eighth note0.5185.15.4
Eighth triplet0.333123.48.11
Dotted sixteenth0.375138.87.2
Sixteenth note0.2592.510.81
Sixteenth triplet0.16761.716.21
Thirty-second note0.12546.321.61

Half time 81.1 BPM · double time 324.2 BPM. Every row is one beat (370.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. GratitudeBeastie BoysA minor162BPM
  2. La GrangeZZ TopA minor163BPM
  3. The Final HourDanail GetzA minor162BPM
  4. The Evil That Men DoIron MaidenA minor163BPM
  5. First LoveAdeleA minor163BPM
  6. My Precious OneCéline DionA minor163BPM
  7. Free Man in ParisJoni MitchellA minor163BPM
  8. Kitty’s BackBruce SpringsteenA minor163BPM
  9. So Many Roads, So Many TrainsFoghatA minor164BPM
  10. WiggleJason Derulo feat. Snoop DoggA minor164BPM

Recordings in A minor, ordered by how near their tempo is to 162 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 162 BPMA minor at 160–169 BPMChicago

MusicBrainz collapses 25 recording ids into this one. Recording id 6765530c-766a-4e8c-85ef-bb9278605515.