Chris Brown · Chris Brown

Yo (Excuse Me Miss)

Yo (Excuse Me Miss) is in C minor at 87.9 beats per minute.

Tempo

88 BPM · Andantemedian of 155 analyses · 87.9–88 across the middle eight tenths

Key: C minor3 flats · the key most of the analyses agreed on
Agreement: 69%share of analyses that agreed
Analyses: 155people who ran the extractor
One beat: 682.6milliseconds, 60,000 ÷ BPM
Tuning: 455.3Hz · +59 cents from A 440
Dynamics: 5.88dB the level wanders from its average
Loudness: 0.886Essentia's 0–1 scale, not dB
Danceability: 1.222Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

155 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 69% — put it in C minor, a key signature of 3 flats. The tempo printed above is the median of the 155 readings; 98% of them land within 2% of it, and they barely differ at all.

At 87.9 BPM one beat lasts 682.6 milliseconds, so a sixteenth note is 170.6 ms and a dotted eighth 511.9 ms — the delay times for this recording. Counted half as fast it is 44 BPM, counted twice as fast 175.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 455.3 Hz, which is 59 cents above concert A at 440 Hz — far enough that playing along at 440 Hz will sound wrong. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.88 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.886 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C minor

Each of these differs from C minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 88 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2730.4	0.37
Half note	2	1365.2	0.73
Dotted quarter	1.5	1023.9	0.98
Quarter note (one beat)	1	682.6	1.47
Quarter triplet	0.667	455.1	2.2
Dotted eighth	0.75	511.9	1.95
Eighth note	0.5	341.3	2.93
Eighth triplet	0.333	227.5	4.4
Dotted sixteenth	0.375	256	3.91
Sixteenth note	0.25	170.6	5.86
Sixteenth triplet	0.167	113.8	8.79
Thirty-second note	0.125	85.3	11.72

Half time 44 BPM · double time 175.8 BPM. Every row is one beat (682.6 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in C minor, ordered by how near their tempo is to 88 BPM. A calculation, not a recommendation.

All songs in C minor All songs at 88 BPM C minor at 80–89 BPM Chris Brown

MusicBrainz collapses 3 recording ids into this one. Recording id 5452b647-8957-4fb0-895b-dd6e2b34e779.