Coldplay · X&Y
X&Y
X&Y is in B minor at 153 beats per minute.
Tempo
153 BPM · Allegromedian of 206 analyses · 153–153.2 across the middle eight tenths- Key
- B minor2 sharps · the key most of the analyses agreed on
- Agreement
- 49%share of analyses that agreed
- Analyses
- 206people who ran the extractor
- One beat
- 392.2milliseconds, 60,000 ÷ BPM
- Tuning
- 443.7Hz · +14.5 cents from A 440
- Dynamics
- 5.13dB the level wanders from its average
- Loudness
- 0.787Essentia's 0–1 scale, not dB
- Danceability
- 0.935Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
206 independent analyses of this recording were submitted to AcousticBrainz. Fewer than half of them — 49% — put it in B minor, a key signature of 2 sharps. The tempo printed above is the median of the 206 readings; 99% of them land within 2% of it, and they barely differ at all.
At 153 BPM one beat lasts 392.2 milliseconds, so a sixteenth note is 98 ms and a dotted eighth 294.1 ms — the delay times for this recording. Counted half as fast it is 76.5 BPM, counted twice as fast 306. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 443.7 Hz, which is 14.5 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.13 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.787 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B minor
Each of these differs from B minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 153 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1568.6 | 0.64 |
| Half note | 2 | 784.3 | 1.27 |
| Dotted quarter | 1.5 | 588.2 | 1.7 |
| Quarter note (one beat) | 1 | 392.2 | 2.55 |
| Quarter triplet | 0.667 | 261.4 | 3.83 |
| Dotted eighth | 0.75 | 294.1 | 3.4 |
| Eighth note | 0.5 | 196.1 | 5.1 |
| Eighth triplet | 0.333 | 130.7 | 7.65 |
| Dotted sixteenth | 0.375 | 147.1 | 6.8 |
| Sixteenth note | 0.25 | 98 | 10.2 |
| Sixteenth triplet | 0.167 | 65.4 | 15.3 |
| Thirty-second note | 0.125 | 49 | 20.4 |
Half time 76.5 BPM · double time 306 BPM. Every row is one beat (392.2 ms) times the fraction in the second column.
Closest in key and tempo
- Come Out and PlayOffspringB minor156BPM
- WHEN I WAS OLDERBillie EilishB minor150BPM
- MantraToolB minor150BPM
- Calm Like a BombRage Against the MachineB minor149BPM
- Hotel CaliforniaEaglesB minor147BPM
- SinnermanNina SimoneB minor147BPM
- Isn’t It MidnightFleetwood MacB minor145BPM
- SabrosaBeastie BoysB minor162BPM
- VökuróBjörkB minor144BPM
- Don’t Let Me Be MisunderstoodNina SimoneB minor162BPM
Recordings in B minor, ordered by how near their tempo is to 153 BPM. A calculation, not a recommendation.
All songs in B minorAll songs at 153 BPMColdplay
MusicBrainz collapses 7 recording ids into this one. Recording id 18144bde-ae38-4b5a-a1f3-c14b9fdf3bad.