Raining in Baltimore

197 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in B flat major, a key signature of 2 flats. The tempo printed above is the median of the 197 readings; 15% of them land within 2% of it, and the middle eight tenths of them run from 101.2 to 143.5 BPM. That is a recording the detector cannot settle on — the readings are spread far enough that the median is a summary of a disagreement rather than a measurement anybody should trust to the decimal.

At 140.1 BPM one beat lasts 428.3 milliseconds, so a sixteenth note is 107.1 ms and a dotted eighth 321.2 ms — the delay times for this recording. Counted half as fast it is 70.1 BPM, counted twice as fast 280.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.2 Hz, which is 3 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 8.05 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.107 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B flat major; the ones listed below are the closest in tempo.