TempoPeek

Crosby, Stills, Nash & Young · Déjà vu

Almost Cut My Hair

Almost Cut My Hair is in D major at 136.6 beats per minute.

4080120160200

Tempo

137 BPM · Allegromedian of 185 analyses · 117.2–137 across the middle eight tenths
Key
D major2 sharps · the key most of the analyses agreed on
Agreement
90%share of analyses that agreed
Analyses
185people who ran the extractor
One beat
439.2milliseconds, 60,000 ÷ BPM
Tuning
438.5Hz · -6 cents from A 440
Dynamics
5.4dB the level wanders from its average
Loudness
0.434Essentia's 0–1 scale, not dB
Danceability
1.09Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

185 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 90% — put it in D major, a key signature of 2 sharps. The tempo printed above is the median of the 185 readings; 78% of them land within 2% of it, and the middle eight tenths of them run from 117.2 to 137 BPM.

At 136.6 BPM one beat lasts 439.2 milliseconds, so a sixteenth note is 109.8 ms and a dotted eighth 329.4 ms — the delay times for this recording. Counted half as fast it is 68.3 BPM, counted twice as fast 273.2. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 438.5 Hz, which is 6 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 5.4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.434 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D major

Each of these differs from D major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 137 BPM

Note valueBeatsMillisecondsHertz
Whole note417570.57
Half note2878.51.14
Dotted quarter1.5658.91.52
Quarter note (one beat)1439.22.28
Quarter triplet0.667292.83.42
Dotted eighth0.75329.43.04
Eighth note0.5219.64.55
Eighth triplet0.333146.46.83
Dotted sixteenth0.375164.76.07
Sixteenth note0.25109.89.11
Sixteenth triplet0.16773.213.66
Thirty-second note0.12554.918.21

Half time 68.3 BPM · double time 273.2 BPM. Every row is one beat (439.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Raise Your HandsBon JoviD major136BPM
  2. SparksThe WhoD major136BPM
  3. Dead FlowersThe Rolling StonesD major136BPM
  4. Beautiful DayU2D major136BPM
  5. Mixed EmotionsThe Rolling StonesD major137BPM
  6. Mamma MiaABBAD major137BPM
  7. TomorrowAvril LavigneD major136BPM
  8. Lucy in the Sky With DiamondsThe BeatlesD major136BPM
  9. BitchThe Rolling StonesD major136BPM
  10. This FireFranz FerdinandD major138BPM

Recordings in D major, ordered by how near their tempo is to 137 BPM. A calculation, not a recommendation.

All songs in D majorAll songs at 137 BPMD major at 130–139 BPMCrosby, Stills, Nash & Young

MusicBrainz collapses 28 recording ids into this one. Recording id cff2e9ef-c4dc-4ee0-b6f9-90bdb41a915e.