Daft Punk · Face to Face

Face to Face (Cosmo Vitelli remix)

Face to Face (Cosmo Vitelli remix) is in C sharp minor at 134.9 beats per minute.

4080120160200

Tempo

135 BPM · Allegromedian of 137 analyses · 134.9–134.9 across the middle eight tenths
Key
C♯ minor4 sharps · the key most of the analyses agreed on
Agreement
98%share of analyses that agreed
Analyses
137people who ran the extractor
One beat
444.8milliseconds, 60,000 ÷ BPM
Tuning
439.5Hz · -2 cents from A 440
Dynamics
3.74dB the level wanders from its average
Loudness
0.895Essentia's 0–1 scale, not dB
Danceability
1.407Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

137 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in C sharp minor, a key signature of 4 sharps. The tempo printed above is the median of the 137 readings; 100% of them land within 2% of it, and they barely differ at all.

At 134.9 BPM one beat lasts 444.8 milliseconds, so a sixteenth note is 111.2 ms and a dotted eighth 333.6 ms — the delay times for this recording. Counted half as fast it is 67.5 BPM, counted twice as fast 269.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.5 Hz, which is 2 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.74 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.895 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C sharp minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C♯ minor

Each of these differs from C♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 135 BPM

Note valueBeatsMillisecondsHertz
Whole note41779.10.56
Half note2889.51.12
Dotted quarter1.5667.21.5
Quarter note (one beat)1444.82.25
Quarter triplet0.667296.53.37
Dotted eighth0.75333.63
Eighth note0.5222.44.5
Eighth triplet0.333148.36.75
Dotted sixteenth0.375166.86
Sixteenth note0.25111.28.99
Sixteenth triplet0.16774.113.49
Thirty-second note0.12555.617.99

Half time 67.5 BPM · double time 269.8 BPM. Every row is one beat (444.8 ms) times the fraction in the second column.

Closest in key and tempo

  1. Lord of This WorldBlack SabbathC♯ minor135BPM
  2. FaintLinkin ParkC♯ minor135BPM
  3. Bigmouth Strikes AgainThe SmithsC♯ minor135BPM
  4. The Ballad of Chasey LainBloodhound GangC♯ minor134BPM
  5. Master TeacherErykah BaduC♯ minor136BPM
  6. UnchainedVan HalenC♯ minor136BPM
  7. Sabbath Bloody SabbathBlack SabbathC♯ minor137BPM
  8. You and Whose Army?RadioheadC♯ minor137BPM
  9. Moments in LoveArt of NoiseC♯ minor138BPM
  10. Eight Easy StepsAlanis MorissetteC♯ minor138BPM

Recordings in C sharp minor, ordered by how near their tempo is to 135 BPM. A calculation, not a recommendation.

All songs in C sharp minorAll songs at 135 BPMC♯ minor at 130–139 BPMDaft Punk

MusicBrainz collapses 1 recording id into this one. Recording id 15a30807-73e2-45ad-ad81-6e978686ab9c.