Daft Punk · Homework
Rollin’ & Scratchin’
Rollin’ & Scratchin’ is in G sharp minor at 130.1 beats per minute.
Tempo
130 BPM · Allegromedian of 283 analyses · 130–130.1 across the middle eight tenths- Key
- G♯ minor5 sharps · the key most of the analyses agreed on
- Agreement
- 97%share of analyses that agreed
- Analyses
- 283people who ran the extractor
- One beat
- 461.2milliseconds, 60,000 ÷ BPM
- Tuning
- 451.8Hz · +46 cents from A 440
- Dynamics
- 4dB the level wanders from its average
- Loudness
- 0.956Essentia's 0–1 scale, not dB
- Danceability
- 2.574Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
283 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in G sharp minor, a key signature of 5 sharps. The tempo printed above is the median of the 283 readings; 100% of them land within 2% of it, and they barely differ at all.
At 130.1 BPM one beat lasts 461.2 milliseconds, so a sixteenth note is 115.3 ms and a dotted eighth 345.9 ms — the delay times for this recording. Counted half as fast it is 65.1 BPM, counted twice as fast 260.2. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 451.8 Hz, which is 46 cents above concert A at 440 Hz — far enough that playing along at 440 Hz will sound wrong. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.956 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G sharp minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G♯ minor
Each of these differs from G♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 130 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1844.7 | 0.54 |
| Half note | 2 | 922.4 | 1.08 |
| Dotted quarter | 1.5 | 691.8 | 1.45 |
| Quarter note (one beat) | 1 | 461.2 | 2.17 |
| Quarter triplet | 0.667 | 307.5 | 3.25 |
| Dotted eighth | 0.75 | 345.9 | 2.89 |
| Eighth note | 0.5 | 230.6 | 4.34 |
| Eighth triplet | 0.333 | 153.7 | 6.51 |
| Dotted sixteenth | 0.375 | 172.9 | 5.78 |
| Sixteenth note | 0.25 | 115.3 | 8.67 |
| Sixteenth triplet | 0.167 | 76.9 | 13.01 |
| Thirty-second note | 0.125 | 57.6 | 17.35 |
Half time 65.1 BPM · double time 260.2 BPM. Every row is one beat (461.2 ms) times the fraction in the second column.
Closest in key and tempo
- Stranger in MoscowMichael JacksonG♯ minor130BPM
- Somebody Get Me a DoctorVan HalenG♯ minor130BPM
- FergaliciousFergieG♯ minor129BPM
- RepetitionDavid BowieG♯ minor129BPM
- Girl Gone WildMadonnaG♯ minor132BPM
- Octoberdeadmau5G♯ minor128BPM
- You Got Me Floatin’The Jimi Hendrix ExperienceG♯ minor132BPM
- White ShadowsColdplayG♯ minor127BPM
- Death and All His Friends / The EscapistColdplayG♯ minor127BPM
- Set the Controls for the Heart of the SunPink FloydG♯ minor133BPM
Recordings in G sharp minor, ordered by how near their tempo is to 130 BPM. A calculation, not a recommendation.
All songs in G sharp minorAll songs at 130 BPMG♯ minor at 130–139 BPMDaft Punk
MusicBrainz collapses 7 recording ids into this one. Recording id bfbd9b4b-12c6-405d-9681-45cb71057985.