TempoPeek

David Bowie · Let’s Dance

Let’s Dance

Let’s Dance is in B flat minor at 114.9 beats per minute.

4080120160200

Tempo

115 BPM · Moderatomedian of 383 analyses · 114.7–115.2 across the middle eight tenths
Key
B♭ minor5 flats · the key most of the analyses agreed on
Agreement
85%share of analyses that agreed
Analyses
383people who ran the extractor
One beat
522.2milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4.44dB the level wanders from its average
Loudness
0.843Essentia's 0–1 scale, not dB
Danceability
1.264Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

383 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 85% — put it in B flat minor, a key signature of 5 flats. The tempo printed above is the median of the 383 readings; 95% of them land within 2% of it, and they barely differ at all.

At 114.9 BPM one beat lasts 522.2 milliseconds, so a sixteenth note is 130.5 ms and a dotted eighth 391.6 ms — the delay times for this recording. Counted half as fast it is 57.5 BPM, counted twice as fast 229.8. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.44 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.843 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B flat minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B♭ minor

Each of these differs from B♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 115 BPM

Note valueBeatsMillisecondsHertz
Whole note42088.80.48
Half note21044.40.96
Dotted quarter1.5783.31.28
Quarter note (one beat)1522.21.92
Quarter triplet0.667348.12.87
Dotted eighth0.75391.62.55
Eighth note0.5261.13.83
Eighth triplet0.333174.15.75
Dotted sixteenth0.375195.85.11
Sixteenth note0.25130.57.66
Sixteenth triplet0.1678711.49
Thirty-second note0.12565.315.32

Half time 57.5 BPM · double time 229.8 BPM. Every row is one beat (522.2 ms) times the fraction in the second column.

Closest in key and tempo

  1. Not That KindAnastaciaB♭ minor115BPM
  2. HeresyNine Inch NailsB♭ minor115BPM
  3. The Way I AreTimbaland feat. Keri Hilson & D.O.E.B♭ minor115BPM
  4. PromiscuousNelly Furtado featuring TimbalandB♭ minor114BPM
  5. BadMichael JacksonB♭ minor114BPM
  6. Heavy Metal LoverLady GagaB♭ minor116BPM
  7. VogueMadonnaB♭ minor116BPM
  8. Over and OverMadonnaB♭ minor116BPM
  9. MusiqueDaft PunkB♭ minor117BPM
  10. Axel FHarold FaltermeyerB♭ minor117BPM

Recordings in B flat minor, ordered by how near their tempo is to 115 BPM. A calculation, not a recommendation.

All songs in B flat minorAll songs at 115 BPMB♭ minor at 110–119 BPMDavid Bowie

MusicBrainz collapses 159 recording ids into this one. Recording id 666023bd-745f-4b38-bb15-325e61156fd0.