TempoPeek

Deftones · Around the Fur

My Own Summer (Shove It)

My Own Summer (Shove It) is in C sharp minor at 143.3 beats per minute.

4080120160200

Tempo

143 BPM · Allegromedian of 183 analyses · 143.2–143.3 across the middle eight tenths
Key
C♯ minor4 sharps · the key most of the analyses agreed on
Agreement
97%share of analyses that agreed
Analyses
183people who ran the extractor
One beat
418.7milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
1.65dB the level wanders from its average
Loudness
0.972Essentia's 0–1 scale, not dB
Danceability
1.14Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

183 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in C sharp minor, a key signature of 4 sharps. The tempo printed above is the median of the 183 readings; 100% of them land within 2% of it, and they barely differ at all.

At 143.3 BPM one beat lasts 418.7 milliseconds, so a sixteenth note is 104.7 ms and a dotted eighth 314 ms — the delay times for this recording. Counted half as fast it is 71.7 BPM, counted twice as fast 286.6. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 1.65 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.972 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C sharp minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C♯ minor

Each of these differs from C♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 143 BPM

Note valueBeatsMillisecondsHertz
Whole note41674.80.6
Half note2837.41.19
Dotted quarter1.5628.11.59
Quarter note (one beat)1418.72.39
Quarter triplet0.667279.13.58
Dotted eighth0.753143.18
Eighth note0.5209.44.78
Eighth triplet0.333139.67.17
Dotted sixteenth0.3751576.37
Sixteenth note0.25104.79.55
Sixteenth triplet0.16769.814.33
Thirty-second note0.12552.319.11

Half time 71.7 BPM · double time 286.6 BPM. Every row is one beat (418.7 ms) times the fraction in the second column.

Closest in key and tempo

  1. No QuarterLed ZeppelinC♯ minor143BPM
  2. The Beautiful PeopleMarilyn MansonC♯ minor144BPM
  3. Dancing ShoesArctic MonkeysC♯ minor145BPM
  4. Bad Boy BoogieAC/DCC♯ minor142BPM
  5. NamastéBeastie BoysC♯ minor145BPM
  6. SpiesColdplayC♯ minor148BPM
  7. Granular BastardApparatC♯ minor148BPM
  8. Come a Little CloserCage the ElephantC♯ minor148BPM
  9. Like Spinning PlatesRadioheadC♯ minor138BPM
  10. Moments in LoveArt of NoiseC♯ minor138BPM

Recordings in C sharp minor, ordered by how near their tempo is to 143 BPM. A calculation, not a recommendation.

All songs in C sharp minorAll songs at 143 BPMC♯ minor at 140–149 BPM

MusicBrainz collapses 30 recording ids into this one. Recording id 288296a3-f4a8-44b4-94a9-424daeba362a.