Stop! In the Name of Love

156 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 156 readings; 98% of them land within 2% of it, and the middle eight tenths of them run from 114.4 to 115.8 BPM.

At 114.8 BPM one beat lasts 522.6 milliseconds, so a sixteenth note is 130.7 ms and a dotted eighth 392 ms — the delay times for this recording. Counted half as fast it is 57.4 BPM, counted twice as fast 229.6. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.3 Hz, which is 5 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.85 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.951 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.