Dr. Dre · The Chronic

Bitches Ain’t Shit

Bitches Ain’t Shit is in B minor at 92.3 beats per minute.

4080120160200

Tempo

92 BPM · Andantemedian of 144 analyses · 92.3–92.3 across the middle eight tenths
Key
B minor2 sharps · the key most of the analyses agreed on
Agreement
94%share of analyses that agreed
Analyses
144people who ran the extractor
One beat
650.1milliseconds, 60,000 ÷ BPM
Tuning
439Hz · -4 cents from A 440
Dynamics
3.84dB the level wanders from its average
Loudness
0.97Essentia's 0–1 scale, not dB
Danceability
1.606Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

144 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 94% — put it in B minor, a key signature of 2 sharps. The tempo printed above is the median of the 144 readings; 99% of them land within 2% of it, and they barely differ at all.

At 92.3 BPM one beat lasts 650.1 milliseconds, so a sixteenth note is 162.5 ms and a dotted eighth 487.5 ms — the delay times for this recording. Counted half as fast it is 46.2 BPM, counted twice as fast 184.6. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439 Hz, which is 4 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.84 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.97 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B minor

Each of these differs from B minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 92 BPM

Note valueBeatsMillisecondsHertz
Whole note42600.20.38
Half note21300.10.77
Dotted quarter1.5975.11.03
Quarter note (one beat)1650.11.54
Quarter triplet0.667433.42.31
Dotted eighth0.75487.52.05
Eighth note0.53253.08
Eighth triplet0.333216.74.61
Dotted sixteenth0.375243.84.1
Sixteenth note0.25162.56.15
Sixteenth triplet0.167108.39.23
Thirty-second note0.12581.312.31

Half time 46.2 BPM · double time 184.6 BPM. Every row is one beat (650.1 ms) times the fraction in the second column.

Closest in key and tempo

  1. Summer Moved Ona‐haB minor92BPM
  2. SoldierErykah BaduB minor93BPM
  3. Mrs. RobinsonSimon & GarfunkelB minor92BPM
  4. KarmaBlack Eyed PeasB minor94BPM
  5. Not for MeBackstreet BoysB minor94BPM
  6. Locked UpAkonB minor90BPM
  7. Havana AffairRamonesB minor89BPM
  8. Don’t Turn AroundAce of BaseB minor96BPM
  9. GrindAlice in ChainsB minor89BPM
  10. I’m Gettin’ Money2PacB minor96BPM

Recordings in B minor, ordered by how near their tempo is to 92 BPM. A calculation, not a recommendation.

All songs in B minorAll songs at 92 BPMB minor at 90–99 BPMDr. Dre

MusicBrainz collapses 1 recording id into this one. Recording id be0fcc21-e180-42f1-ad75-76d42a8b2823.