TempoPeek

Eagles · On the Border

Already Gone

Already Gone is in G major at 146.4 beats per minute.

4080120160200

Tempo

146 BPM · Allegromedian of 297 analyses · 146.3–146.4 across the middle eight tenths
Key
G major1 sharp · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
297people who ran the extractor
One beat
409.8milliseconds, 60,000 ÷ BPM
Tuning
443.8Hz · +15 cents from A 440
Dynamics
3.59dB the level wanders from its average
Loudness
0.859Essentia's 0–1 scale, not dB
Danceability
1.045Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

297 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in G major, a key signature of 1 sharp. The tempo printed above is the median of the 297 readings; 100% of them land within 2% of it, and they barely differ at all.

At 146.4 BPM one beat lasts 409.8 milliseconds, so a sixteenth note is 102.5 ms and a dotted eighth 307.4 ms — the delay times for this recording. Counted half as fast it is 73.2 BPM, counted twice as fast 292.8. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 443.8 Hz, which is 15 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.59 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.859 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in G major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with G major

Each of these differs from G major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 146 BPM

Note valueBeatsMillisecondsHertz
Whole note41639.30.61
Half note2819.71.22
Dotted quarter1.5614.81.63
Quarter note (one beat)1409.82.44
Quarter triplet0.667273.23.66
Dotted eighth0.75307.43.25
Eighth note0.5204.94.88
Eighth triplet0.333136.67.32
Dotted sixteenth0.375153.76.51
Sixteenth note0.25102.59.76
Sixteenth triplet0.16768.314.64
Thirty-second note0.12551.219.52

Half time 73.2 BPM · double time 292.8 BPM. Every row is one beat (409.8 ms) times the fraction in the second column.

The same title by somebody else

  1. Already GoneKelly ClarksonA major148BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. Lo and Behold!Bob Dylan & The BandG major146BPM
  2. Too Much Love Will Kill YouQueenG major146BPM
  3. Beginner’s LuckKing Gizzard & the Lizard WizardG major146BPM
  4. The Modern AgeThe StrokesG major146BPM
  5. Too Much to AskAvril LavigneG major147BPM
  6. PatientlyJourneyG major147BPM
  7. Helplessly HopingCrosby, Stills & NashG major147BPM
  8. ProofPaul SimonG major147BPM
  9. Wild HorsesThe Rolling StonesG major147BPM
  10. Holidays in the SunSex PistolsG major148BPM

Recordings in G major, ordered by how near their tempo is to 146 BPM. A calculation, not a recommendation.

All songs in G majorAll songs at 146 BPMG major at 140–149 BPMEagles

MusicBrainz collapses 41 recording ids into this one. Recording id 4c37f175-096a-4f42-966d-f411984eeca1.