TempoPeek

Eagles · On the Border

Good Day in Hell

Good Day in Hell is in E minor at 95.6 beats per minute.

4080120160200

Tempo

96 BPM · Andantemedian of 219 analyses · 95.4–95.6 across the middle eight tenths
Key
E minor1 sharp · the key most of the analyses agreed on
Agreement
100%share of analyses that agreed
Analyses
219people who ran the extractor
One beat
627.6milliseconds, 60,000 ÷ BPM
Tuning
439.2Hz · -3 cents from A 440
Dynamics
4.87dB the level wanders from its average
Loudness
0.826Essentia's 0–1 scale, not dB
Danceability
1.309Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

219 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E minor, a key signature of 1 sharp. The tempo printed above is the median of the 219 readings; 98% of them land within 2% of it, and they barely differ at all.

At 95.6 BPM one beat lasts 627.6 milliseconds, so a sixteenth note is 156.9 ms and a dotted eighth 470.7 ms — the delay times for this recording. Counted half as fast it is 47.8 BPM, counted twice as fast 191.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.2 Hz, which is 3 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.87 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.826 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E minor

Each of these differs from E minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 96 BPM

Note valueBeatsMillisecondsHertz
Whole note42510.50.4
Half note21255.20.8
Dotted quarter1.5941.41.06
Quarter note (one beat)1627.61.59
Quarter triplet0.667418.42.39
Dotted eighth0.75470.72.12
Eighth note0.5313.83.19
Eighth triplet0.333209.24.78
Dotted sixteenth0.375235.44.25
Sixteenth note0.25156.96.37
Sixteenth triplet0.167104.69.56
Thirty-second note0.12578.512.75

Half time 47.8 BPM · double time 191.2 BPM. Every row is one beat (627.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. Empty SpacesPink FloydE minor96BPM
  2. President of What?Death Cab for CutieE minor96BPM
  3. I Remember CaliforniaR.E.M.E minor95BPM
  4. Bring Me to LifeEvanescenceE minor95BPM
  5. Communication / Skit IIIBlack Eyed PeasE minor95BPM
  6. BEP EmpireBlack Eyed PeasE minor97BPM
  7. FighterChristina AguileraE minor94BPM
  8. Welcome Home (Sanitarium)MetallicaE minor94BPM
  9. Georgy PorgyTotoE minor97BPM
  10. Going Down / Love in an ElevatorAerosmithE minor94BPM

Recordings in E minor, ordered by how near their tempo is to 96 BPM. A calculation, not a recommendation.

All songs in E minorAll songs at 96 BPME minor at 90–99 BPMEagles

MusicBrainz collapses 14 recording ids into this one. Recording id 29980b84-bcf0-4045-9d5d-e236ad054d3a.