Ellie Goulding · Lights
Starry Eyed
Starry Eyed is in E flat major at 150 beats per minute.
Tempo
150 BPM · Allegromedian of 136 analyses · 150–150.1 across the middle eight tenths- Key
- E♭ major3 flats · the key most of the analyses agreed on
- Agreement
- 63%share of analyses that agreed
- Analyses
- 136people who ran the extractor
- One beat
- 400milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.75dB the level wanders from its average
- Loudness
- 0.755Essentia's 0–1 scale, not dB
- Danceability
- 1.014Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
136 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 63% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 136 readings; 96% of them land within 2% of it, and they barely differ at all.
At 150 BPM one beat lasts 400 milliseconds, so a sixteenth note is 100 ms and a dotted eighth 300 ms — the delay times for this recording. Counted half as fast it is 75 BPM, counted twice as fast 300. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.75 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.755 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E♭ major
Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 150 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1600 | 0.63 |
| Half note | 2 | 800 | 1.25 |
| Dotted quarter | 1.5 | 600 | 1.67 |
| Quarter note (one beat) | 1 | 400 | 2.5 |
| Quarter triplet | 0.667 | 266.7 | 3.75 |
| Dotted eighth | 0.75 | 300 | 3.33 |
| Eighth note | 0.5 | 200 | 5 |
| Eighth triplet | 0.333 | 133.3 | 7.5 |
| Dotted sixteenth | 0.375 | 150 | 6.67 |
| Sixteenth note | 0.25 | 100 | 10 |
| Sixteenth triplet | 0.167 | 66.7 | 15 |
| Thirty-second note | 0.125 | 50 | 20 |
Half time 75 BPM · double time 300 BPM. Every row is one beat (400 ms) times the fraction in the second column.
Closest in key and tempo
- Don’t Stop5 Seconds of SummerE♭ major150BPM
- The Well and the LighthouseArcade FireE♭ major150BPM
- Love Will Keep You Up All NightBackstreet BoysE♭ major150BPM
- End of the RoadBoyz II MenE♭ major150BPM
- Under African SkiesPaul SimonE♭ major149BPM
- RiversAllman BrownE♭ major148BPM
- Do You Want to Build a Snowman?Kristen Bell, Agatha Lee Monn and Katie LopezE♭ major148BPM
- Jar of HeartsChristina PerriE♭ major148BPM
- Say It Ain’t SoWeezerE♭ major152BPM
- Show ’em (What You’re Made of)Backstreet BoysE♭ major152BPM
Recordings in E flat major, ordered by how near their tempo is to 150 BPM. A calculation, not a recommendation.
All songs in E flat majorAll songs at 150 BPME♭ major at 150–159 BPMEllie Goulding
MusicBrainz collapses 11 recording ids into this one. Recording id 866f5dff-a107-4912-87e7-497a46ef60b9.