Elton John · Madman Across the Water

Madman Across the Water

Madman Across the Water is in D minor at 138.8 beats per minute.

4080120160200

Tempo

139 BPM · Allegromedian of 175 analyses · 133.4–139.1 across the middle eight tenths
Key
D minor1 flat · the key most of the analyses agreed on
Agreement
71%share of analyses that agreed
Analyses
175people who ran the extractor
One beat
432.3milliseconds, 60,000 ÷ BPM
Tuning
439.5Hz · -2 cents from A 440
Dynamics
6.06dB the level wanders from its average
Loudness
0.351Essentia's 0–1 scale, not dB
Danceability
1.07Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

175 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 71% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 175 readings; 80% of them land within 2% of it, and the middle eight tenths of them run from 133.4 to 139.1 BPM.

At 138.8 BPM one beat lasts 432.3 milliseconds, so a sixteenth note is 108.1 ms and a dotted eighth 324.2 ms — the delay times for this recording. Counted half as fast it is 69.4 BPM, counted twice as fast 277.6. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 439.5 Hz, which is 2 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 6.06 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.351 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in D minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with D minor

Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 139 BPM

Note valueBeatsMillisecondsHertz
Whole note41729.10.58
Half note2864.61.16
Dotted quarter1.5648.41.54
Quarter note (one beat)1432.32.31
Quarter triplet0.667288.23.47
Dotted eighth0.75324.23.08
Eighth note0.5216.14.63
Eighth triplet0.333144.16.94
Dotted sixteenth0.375162.16.17
Sixteenth note0.25108.19.25
Sixteenth triplet0.1677213.88
Thirty-second note0.1255418.51

Half time 69.4 BPM · double time 277.6 BPM. Every row is one beat (432.3 ms) times the fraction in the second column.

Closest in key and tempo

  1. Chug All NightEaglesD minor139BPM
  2. Up to My Neck in YouAC/DCD minor139BPM
  3. Oh DaddyFleetwood MacD minor139BPM
  4. The Call of KtuluMetallicaD minor139BPM
  5. Sky Fits HeavenMadonnaD minor140BPM
  6. Feds Watching2 Chainz featuring PharrellD minor140BPM
  7. I Come in PeaceShotgun MessiahD minor140BPM
  8. Don’t Stand So Close to MeThe PoliceD minor140BPM
  9. Staring at the SunU2D minor140BPM
  10. The Prophet’s SongQueenD minor140BPM

Recordings in D minor, ordered by how near their tempo is to 139 BPM. A calculation, not a recommendation.

All songs in D minorAll songs at 139 BPMD minor at 130–139 BPMElton John

MusicBrainz collapses 16 recording ids into this one. Recording id 738121d7-2ecf-4848-aee9-2f16d3d65dd5.