Erasure · Chorus
Love to Hate You
Love to Hate You is in F sharp minor at 119.8 beats per minute.
Tempo
120 BPM · Moderatomedian of 132 analyses · 119.7–120 across the middle eight tenths- Key
- F♯ minor3 sharps · the key most of the analyses agreed on
- Agreement
- 95%share of analyses that agreed
- Analyses
- 132people who ran the extractor
- One beat
- 500.8milliseconds, 60,000 ÷ BPM
- Tuning
- 439.5Hz · -2 cents from A 440
- Dynamics
- 3.67dB the level wanders from its average
- Loudness
- 0.902Essentia's 0–1 scale, not dB
- Danceability
- 1.139Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
132 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 95% — put it in F sharp minor, a key signature of 3 sharps. The tempo printed above is the median of the 132 readings; 97% of them land within 2% of it, and they barely differ at all.
At 119.8 BPM one beat lasts 500.8 milliseconds, so a sixteenth note is 125.2 ms and a dotted eighth 375.6 ms — the delay times for this recording. Counted half as fast it is 59.9 BPM, counted twice as fast 239.6. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 439.5 Hz, which is 2 cents below concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.67 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.902 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F sharp minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F♯ minor
Each of these differs from F♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 120 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2003.3 | 0.5 |
| Half note | 2 | 1001.7 | 1 |
| Dotted quarter | 1.5 | 751.3 | 1.33 |
| Quarter note (one beat) | 1 | 500.8 | 2 |
| Quarter triplet | 0.667 | 333.9 | 3 |
| Dotted eighth | 0.75 | 375.6 | 2.66 |
| Eighth note | 0.5 | 250.4 | 3.99 |
| Eighth triplet | 0.333 | 166.9 | 5.99 |
| Dotted sixteenth | 0.375 | 187.8 | 5.32 |
| Sixteenth note | 0.25 | 125.2 | 7.99 |
| Sixteenth triplet | 0.167 | 83.5 | 11.98 |
| Thirty-second note | 0.125 | 62.6 | 15.97 |
Half time 59.9 BPM · double time 239.6 BPM. Every row is one beat (500.8 ms) times the fraction in the second column.
Closest in key and tempo
- Blasphemous RumoursDepeche ModeF♯ minor120BPM
- Good StuffThe B‐52sF♯ minor120BPM
- SupernautBlack SabbathF♯ minor121BPM
- Gimme ShelterThe Rolling StonesF♯ minor118BPM
- The SuburbsArcade FireF♯ minor118BPM
- Beat Goes OnMadonna feat. Kanye WestF♯ minor118BPM
- I Put a Spell on YouNina SimoneF♯ minor118BPM
- The Final CountdownEuropeF♯ minor118BPM
- Billie JeanMichael JacksonF♯ minor117BPM
- Video GamesLana Del ReyF♯ minor123BPM
Recordings in F sharp minor, ordered by how near their tempo is to 120 BPM. A calculation, not a recommendation.
All songs in F sharp minorAll songs at 120 BPMF♯ minor at 110–119 BPM
MusicBrainz collapses 45 recording ids into this one. Recording id 73f8e86e-ca5e-4acd-b5d7-5a1b3b69c5a6.