Eric Clapton · Pilgrim
Change the World
Change the World is in A major at 96.9 beats per minute.
Tempo
97 BPM · Andantemedian of 130 analyses · 96.9–96.9 across the middle eight tenths- Key
- A major3 sharps · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 130people who ran the extractor
- One beat
- 619.2milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 3.55dB the level wanders from its average
- Loudness
- 0.9Essentia's 0–1 scale, not dB
- Danceability
- 1.23Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
130 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 130 readings; 96% of them land within 2% of it, and they barely differ at all.
At 96.9 BPM one beat lasts 619.2 milliseconds, so a sixteenth note is 154.8 ms and a dotted eighth 464.4 ms — the delay times for this recording. Counted half as fast it is 48.5 BPM, counted twice as fast 193.8. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.55 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.9 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A major
Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 97 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2476.8 | 0.4 |
| Half note | 2 | 1238.4 | 0.81 |
| Dotted quarter | 1.5 | 928.8 | 1.08 |
| Quarter note (one beat) | 1 | 619.2 | 1.62 |
| Quarter triplet | 0.667 | 412.8 | 2.42 |
| Dotted eighth | 0.75 | 464.4 | 2.15 |
| Eighth note | 0.5 | 309.6 | 3.23 |
| Eighth triplet | 0.333 | 206.4 | 4.85 |
| Dotted sixteenth | 0.375 | 232.2 | 4.31 |
| Sixteenth note | 0.25 | 154.8 | 6.46 |
| Sixteenth triplet | 0.167 | 103.2 | 9.69 |
| Thirty-second note | 0.125 | 77.4 | 12.92 |
Half time 48.5 BPM · double time 193.8 BPM. Every row is one beat (619.2 ms) times the fraction in the second column.
Closest in key and tempo
- Where It’s AtBeckA major97BPM
- Build You Up50 Cent feat. Jamie FoxxA major97BPM
- E.T.I. (Extra Terrestrial Intelligence)Blue Öyster CultA major97BPM
- You’re All I Need to Get ByMarvin Gaye & Tammi TerrellA major97BPM
- The Rock Showblink‐182A major97BPM
- Slow Down BabyChristina AguileraA major97BPM
- 99 LuftballonsNenaA major96BPM
- JunebugThe B‐52sA major98BPM
- The One Rose (That’s Left in My Heart)Johnny CashA major98BPM
- To the EndBlurA major96BPM
Recordings in A major, ordered by how near their tempo is to 97 BPM. A calculation, not a recommendation.
All songs in A majorAll songs at 97 BPMA major at 90–99 BPMEric Clapton
MusicBrainz collapses 23 recording ids into this one. Recording id a3355226-6023-4dbf-8999-e29a3318c974.