Eric Clapton · August

Miss You

Miss You is in A minor at 178.2 beats per minute.

4080120160200

Tempo

178 BPM · Prestomedian of 161 analyses · 89.7–178.2 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
89%share of analyses that agreed
Analyses
161people who ran the extractor
One beat
336.7milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
2.58dB the level wanders from its average
Loudness
0.885Essentia's 0–1 scale, not dB
Danceability
1.217Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

161 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 89% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 161 readings; 58% of them land within 2% of it, and the middle eight tenths of them run from 89.7 to 178.2 BPM.

At 178.2 BPM one beat lasts 336.7 milliseconds, so a sixteenth note is 84.2 ms and a dotted eighth 252.5 ms — the delay times for this recording. Counted half as fast it is 89.1 BPM, counted twice as fast 356.4. A score would mark that Presto, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 2.58 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.885 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 178 BPM

Note valueBeatsMillisecondsHertz
Whole note41346.80.74
Half note2673.41.49
Dotted quarter1.5505.11.98
Quarter note (one beat)1336.72.97
Quarter triplet0.667224.54.46
Dotted eighth0.75252.53.96
Eighth note0.5168.45.94
Eighth triplet0.333112.28.91
Dotted sixteenth0.375126.37.92
Sixteenth note0.2584.211.88
Sixteenth triplet0.16756.117.82
Thirty-second note0.12542.123.76

Half time 89.1 BPM · double time 356.4 BPM. Every row is one beat (336.7 ms) times the fraction in the second column.

The same title by somebody else

  1. Miss YouThe Rolling StonesD minor110BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. Smokin’BostonA minor178BPM
  2. Stay (2009)J. ColeA minor178BPM
  3. Taking Over MeEvanescenceA minor178BPM
  4. The Lemon SongLed ZeppelinA minor178BPM
  5. Don’t Believe in LoveDidoA minor178BPM
  6. Inject the VenomAC/DCA minor178BPM
  7. The PretenderFoo FightersA minor172BPM
  8. Subterranean Homesick BluesBob DylanA minor172BPM
  9. Hey MamaDavid Guetta feat. Nicki Minaj, Bebe Rexha & AfrojackA minor172BPM
  10. MurmulloBuena Vista Social ClubA minor172BPM

Recordings in A minor, ordered by how near their tempo is to 178 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 178 BPMA minor at 170–179 BPMEric Clapton

MusicBrainz collapses 27 recording ids into this one. Recording id da407e9b-b406-407e-aed4-8595bec06133.