Erykah Badu · Baduizm

No Love

No Love is in B flat major at 82.1 beats per minute.

4080120160200

Tempo

82 BPM · Andantemedian of 167 analyses · 82.1–82.1 across the middle eight tenths
Key
B♭ major2 flats · the key most of the analyses agreed on
Agreement
97%share of analyses that agreed
Analyses
167people who ran the extractor
One beat
730.8milliseconds, 60,000 ÷ BPM
Tuning
434.2Hz · -23 cents from A 440
Dynamics
4dB the level wanders from its average
Loudness
0.935Essentia's 0–1 scale, not dB
Danceability
1.608Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

167 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 97% — put it in B flat major, a key signature of 2 flats. The tempo printed above is the median of the 167 readings; 100% of them land within 2% of it, and they barely differ at all.

At 82.1 BPM one beat lasts 730.8 milliseconds, so a sixteenth note is 182.7 ms and a dotted eighth 548.1 ms — the delay times for this recording. Counted half as fast it is 41.1 BPM, counted twice as fast 164.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.935 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in B flat major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with B♭ major

Each of these differs from B♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 82 BPM

Note valueBeatsMillisecondsHertz
Whole note42923.30.34
Half note21461.60.68
Dotted quarter1.51096.20.91
Quarter note (one beat)1730.81.37
Quarter triplet0.667487.22.05
Dotted eighth0.75548.11.82
Eighth note0.5365.42.74
Eighth triplet0.333243.64.1
Dotted sixteenth0.375274.13.65
Sixteenth note0.25182.75.47
Sixteenth triplet0.167121.88.21
Thirty-second note0.12591.410.95

Half time 41.1 BPM · double time 164.2 BPM. Every row is one beat (730.8 ms) times the fraction in the second column.

The same title by somebody else

  1. No LoveEminem feat. Lil WayneE♭ minor130BPM

Matched on the title alone, so this list can hold a different song that happens to share a name. Nothing here claims one is a cover of the other.

Closest in key and tempo

  1. I’m Not the Only OneSam SmithB♭ major82BPM
  2. It Was a Good DayIce CubeB♭ major82BPM
  3. Weather StormCraig ArmstrongB♭ major82BPM
  4. Circle of LifeCarmen Twillie, African vocals by Lebo MB♭ major84BPM
  5. Broken‐Hearted GirlBeyoncéB♭ major84BPM
  6. For Once in My LifeFrank SinatraB♭ major84BPM
  7. Almost FamousEminemB♭ major84BPM
  8. Turn Me OnNorah JonesB♭ major84BPM
  9. rockstarPost Malone feat. 21 SavageB♭ major80BPM
  10. Ev’ry Time We Say GoodbyeElla FitzgeraldB♭ major80BPM

Recordings in B flat major, ordered by how near their tempo is to 82 BPM. A calculation, not a recommendation.

All songs in B flat majorAll songs at 82 BPMB♭ major at 80–89 BPMErykah Badu

MusicBrainz collapses 1 recording id into this one. Recording id 9d6a5e47-0607-4d96-8177-113fbed52b66.