Fall Out Boy · American Beauty/American Psycho
Twin Skeleton’s (Hotel in NYC)
Twin Skeleton’s (Hotel in NYC) is in D minor at 161.8 beats per minute.
Tempo
162 BPM · Vivacemedian of 132 analyses · 161.6–161.8 across the middle eight tenths- Key
- D minor1 flat · the key most of the analyses agreed on
- Agreement
- 98%share of analyses that agreed
- Analyses
- 132people who ran the extractor
- One beat
- 370.8milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 2.12dB the level wanders from its average
- Loudness
- 0.919Essentia's 0–1 scale, not dB
- Danceability
- 1.058Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
132 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 98% — put it in D minor, a key signature of 1 flat. The tempo printed above is the median of the 132 readings; 100% of them land within 2% of it, and they barely differ at all.
At 161.8 BPM one beat lasts 370.8 milliseconds, so a sixteenth note is 92.7 ms and a dotted eighth 278.1 ms — the delay times for this recording. Counted half as fast it is 80.9 BPM, counted twice as fast 323.6. A score would mark that Vivace, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 2.12 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.919 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D minor
Each of these differs from D minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 162 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1483.3 | 0.67 |
| Half note | 2 | 741.7 | 1.35 |
| Dotted quarter | 1.5 | 556.2 | 1.8 |
| Quarter note (one beat) | 1 | 370.8 | 2.7 |
| Quarter triplet | 0.667 | 247.2 | 4.05 |
| Dotted eighth | 0.75 | 278.1 | 3.6 |
| Eighth note | 0.5 | 185.4 | 5.39 |
| Eighth triplet | 0.333 | 123.6 | 8.09 |
| Dotted sixteenth | 0.375 | 139.1 | 7.19 |
| Sixteenth note | 0.25 | 92.7 | 10.79 |
| Sixteenth triplet | 0.167 | 61.8 | 16.18 |
| Thirty-second note | 0.125 | 46.4 | 21.57 |
Half time 80.9 BPM · double time 323.6 BPM. Every row is one beat (370.8 ms) times the fraction in the second column.
Closest in key and tempo
- RedboneChildish GambinoD minor162BPM
- Guns & RosesJay‐Z feat. Lenny KravitzD minor162BPM
- A Thousand Beautiful ThingsAnnie LennoxD minor162BPM
- xxzxcuzx meCrystal CastlesD minor162BPM
- Give Me Back My ManThe B‐52sD minor162BPM
- Southern ManNeil YoungD minor163BPM
- Kicked in the TeethAC/DCD minor163BPM
- Changes3 Doors DownD minor163BPM
- The Thunder RollsGarth BrooksD minor163BPM
- KashmirLed ZeppelinD minor163BPM
Recordings in D minor, ordered by how near their tempo is to 162 BPM. A calculation, not a recommendation.
All songs in D minorAll songs at 162 BPMD minor at 160–169 BPMFall Out Boy
MusicBrainz collapses 1 recording id into this one. Recording id a21d06e7-f6ab-400b-82d1-fa3becb425e9.