Foo Fighters · Low
Never Talking to You Again (live)
Never Talking to You Again (live) is in D major at 123.5 beats per minute.
Tempo
124 BPM · Allegromedian of 189 analyses · 123.4–125.5 across the middle eight tenths- Key
- D major2 sharps · the key most of the analyses agreed on
- Agreement
- 61%share of analyses that agreed
- Analyses
- 189people who ran the extractor
- One beat
- 485.8milliseconds, 60,000 ÷ BPM
- Tuning
- 441Hz · +4 cents from A 440
- Dynamics
- 5.63dB the level wanders from its average
- Loudness
- 0.182Essentia's 0–1 scale, not dB
- Danceability
- 0.96Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
189 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 61% — put it in D major, a key signature of 2 sharps. The tempo printed above is the median of the 189 readings; 100% of them land within 2% of it, and the middle eight tenths of them run from 123.4 to 125.5 BPM.
At 123.5 BPM one beat lasts 485.8 milliseconds, so a sixteenth note is 121.5 ms and a dotted eighth 364.4 ms — the delay times for this recording. Counted half as fast it is 61.8 BPM, counted twice as fast 247. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441 Hz, which is 4 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.63 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.182 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D major
Each of these differs from D major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 124 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1943.3 | 0.51 |
| Half note | 2 | 971.7 | 1.03 |
| Dotted quarter | 1.5 | 728.7 | 1.37 |
| Quarter note (one beat) | 1 | 485.8 | 2.06 |
| Quarter triplet | 0.667 | 323.9 | 3.09 |
| Dotted eighth | 0.75 | 364.4 | 2.74 |
| Eighth note | 0.5 | 242.9 | 4.12 |
| Eighth triplet | 0.333 | 161.9 | 6.18 |
| Dotted sixteenth | 0.375 | 182.2 | 5.49 |
| Sixteenth note | 0.25 | 121.5 | 8.23 |
| Sixteenth triplet | 0.167 | 81 | 12.35 |
| Thirty-second note | 0.125 | 60.7 | 16.47 |
Half time 61.8 BPM · double time 247 BPM. Every row is one beat (485.8 ms) times the fraction in the second column.
Closest in key and tempo
- Hot Pants ExplosionThe B‐52’sD major124BPM
- Try a Little TendernessMichael BubléD major124BPM
- Wake Me UpAviciiD major124BPM
- Pinball WizardThe WhoD major124BPM
- CuyahogaR.E.M.D major123BPM
- Get BackThe BeatlesD major123BPM
- Got to Give It UpMarvin GayeD major123BPM
- Morning Bell/AmnesiacRadioheadD major124BPM
- ContactDaft Punk feat. DJ FalconD major124BPM
- Where Do Broken Hearts GoWhitney HoustonD major124BPM
Recordings in D major, ordered by how near their tempo is to 124 BPM. A calculation, not a recommendation.
All songs in D majorAll songs at 124 BPMD major at 120–129 BPMFoo Fighters
MusicBrainz collapses 4 recording ids into this one. Recording id 6cc45327-17c5-443a-8b2b-4e032a291c28.