Foo Fighters · Wasting Light

Walk

Walk is in A major at 140 beats per minute.

4080120160200

Tempo

140 BPM · Allegromedian of 185 analyses · 139.9–142.6 across the middle eight tenths
Key
A major3 sharps · the key most of the analyses agreed on
Agreement
90%share of analyses that agreed
Analyses
185people who ran the extractor
One beat
428.6milliseconds, 60,000 ÷ BPM
Tuning
438.7Hz · -5 cents from A 440
Dynamics
3.75dB the level wanders from its average
Loudness
0.912Essentia's 0–1 scale, not dB
Danceability
1.231Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

185 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 90% — put it in A major, a key signature of 3 sharps. The tempo printed above is the median of the 185 readings; 91% of them land within 2% of it, and the middle eight tenths of them run from 139.9 to 142.6 BPM.

At 140 BPM one beat lasts 428.6 milliseconds, so a sixteenth note is 107.1 ms and a dotted eighth 321.4 ms — the delay times for this recording. Counted half as fast it is 70 BPM, counted twice as fast 280. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 438.7 Hz, which is 5 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.75 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.912 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A major

Each of these differs from A major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 140 BPM

Note valueBeatsMillisecondsHertz
Whole note41714.30.58
Half note2857.11.17
Dotted quarter1.5642.91.56
Quarter note (one beat)1428.62.33
Quarter triplet0.667285.73.5
Dotted eighth0.75321.43.11
Eighth note0.5214.34.67
Eighth triplet0.333142.97
Dotted sixteenth0.375160.76.22
Sixteenth note0.25107.19.33
Sixteenth triplet0.16771.414
Thirty-second note0.12553.618.67

Half time 70 BPM · double time 280 BPM. Every row is one beat (428.6 ms) times the fraction in the second column.

Closest in key and tempo

  1. Who KnewP!nkA major140BPM
  2. Mississippi QueenMountainA major140BPM
  3. Down in the ParkFoo FightersA major140BPM
  4. Feliz NavidadCéline DionA major140BPM
  5. Tears of RageBob Dylan & The BandA major140BPM
  6. Song for Bob DylanDavid BowieA major140BPM
  7. Every Little ThingYesA major140BPM
  8. Train of Thoughta‐haA major140BPM
  9. Girl Keeps Coming ApartAerosmithA major140BPM
  10. I Know YouCraig David feat. BastilleA major141BPM

Recordings in A major, ordered by how near their tempo is to 140 BPM. A calculation, not a recommendation.

All songs in A majorAll songs at 140 BPMA major at 140–149 BPMFoo Fighters

MusicBrainz collapses 71 recording ids into this one. Recording id 25e4dddd-e5b1-412c-8b27-41a1b0b4aebf.