Foreigner · Agent Provocateur
That Was Yesterday
That Was Yesterday is in G sharp minor at 115.3 beats per minute.
Tempo
115 BPM · Moderatomedian of 162 analyses · 115.2–115.4 across the middle eight tenths- Key
- G♯ minor5 sharps · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 162people who ran the extractor
- One beat
- 520.4milliseconds, 60,000 ÷ BPM
- Tuning
- 441.4Hz · +5.5 cents from A 440
- Dynamics
- 4.22dB the level wanders from its average
- Loudness
- 0.803Essentia's 0–1 scale, not dB
- Danceability
- 1.176Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
162 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in G sharp minor, a key signature of 5 sharps. The tempo printed above is the median of the 162 readings; 100% of them land within 2% of it, and they barely differ at all.
At 115.3 BPM one beat lasts 520.4 milliseconds, so a sixteenth note is 130.1 ms and a dotted eighth 390.3 ms — the delay times for this recording. Counted half as fast it is 57.7 BPM, counted twice as fast 230.6. A score would mark that Moderato, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.4 Hz, which is 5.5 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.22 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.803 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in G sharp minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with G♯ minor
Each of these differs from G♯ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 115 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2081.5 | 0.48 |
| Half note | 2 | 1040.8 | 0.96 |
| Dotted quarter | 1.5 | 780.6 | 1.28 |
| Quarter note (one beat) | 1 | 520.4 | 1.92 |
| Quarter triplet | 0.667 | 346.9 | 2.88 |
| Dotted eighth | 0.75 | 390.3 | 2.56 |
| Eighth note | 0.5 | 260.2 | 3.84 |
| Eighth triplet | 0.333 | 173.5 | 5.77 |
| Dotted sixteenth | 0.375 | 195.1 | 5.12 |
| Sixteenth note | 0.25 | 130.1 | 7.69 |
| Sixteenth triplet | 0.167 | 86.7 | 11.53 |
| Thirty-second note | 0.125 | 65 | 15.37 |
Half time 57.7 BPM · double time 230.6 BPM. Every row is one beat (520.4 ms) times the fraction in the second column.
Closest in key and tempo
- This Is Not AmericaDavid Bowie / Pat Metheny GroupG♯ minor115BPM
- Rock With YouMichael JacksonG♯ minor114BPM
- WonderbreadDanny BrownG♯ minor117BPM
- Graveyard TrainCreedence Clearwater RevivalG♯ minor117BPM
- Get Down (You’re the One for Me)Backstreet BoysG♯ minor113BPM
- Drowning ManU2G♯ minor118BPM
- I Want You Back*NSYNCG♯ minor112BPM
- Beauty School DropoutFrankie AvalonG♯ minor112BPM
- Poker FaceLady GagaG♯ minor119BPM
- I.G.Y.Donald FagenG♯ minor119BPM
Recordings in G sharp minor, ordered by how near their tempo is to 115 BPM. A calculation, not a recommendation.
All songs in G sharp minorAll songs at 115 BPMG♯ minor at 110–119 BPMForeigner
MusicBrainz collapses 30 recording ids into this one. Recording id c5b4e053-6e2e-4606-976b-c8e4469c54ca.