Gorillaz · Demon Days

Fire Coming Out of the Monkey’s Head

Fire Coming Out of the Monkey’s Head is in A minor at 100.1 beats per minute.

4080120160200

Tempo

100 BPM · Andantemedian of 152 analyses · 100–103 across the middle eight tenths
Key
A minorno sharps and no flats · the key most of the analyses agreed on
Agreement
90%share of analyses that agreed
Analyses
152people who ran the extractor
One beat
599.4milliseconds, 60,000 ÷ BPM
Tuning
441.8Hz · +7 cents from A 440
Dynamics
4.03dB the level wanders from its average
Loudness
0.89Essentia's 0–1 scale, not dB
Danceability
1.497Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

152 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 90% — put it in A minor, a key signature of no sharps and no flats. The tempo printed above is the median of the 152 readings; 88% of them land within 2% of it, and the middle eight tenths of them run from 100 to 103 BPM.

At 100.1 BPM one beat lasts 599.4 milliseconds, so a sixteenth note is 149.9 ms and a dotted eighth 449.6 ms — the delay times for this recording. Counted half as fast it is 50.1 BPM, counted twice as fast 200.2. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 4.03 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.89 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in A minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with A minor

Each of these differs from A minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 100 BPM

Note valueBeatsMillisecondsHertz
Whole note42397.60.42
Half note21198.80.83
Dotted quarter1.5899.11.11
Quarter note (one beat)1599.41.67
Quarter triplet0.667399.62.5
Dotted eighth0.75449.62.22
Eighth note0.5299.73.34
Eighth triplet0.333199.85.01
Dotted sixteenth0.375224.84.45
Sixteenth note0.25149.96.67
Sixteenth triplet0.16799.910.01
Thirty-second note0.12574.913.35

Half time 50.1 BPM · double time 200.2 BPM. Every row is one beat (599.4 ms) times the fraction in the second column.

Closest in key and tempo

  1. The Same Deep Water as YouThe CureA minor100BPM
  2. Hey MamaThe Black Eyed PeasA minor100BPM
  3. Creeping DeathMetallicaA minor100BPM
  4. BailamosEnrique IglesiasA minor100BPM
  5. Stupid GirlsP!nkA minor100BPM
  6. Interstellar OverdrivePink FloydA minor100BPM
  7. Africa BambaSantanaA minor100BPM
  8. Leave a TraceCHVRCHESA minor100BPM
  9. Bloody MaryLady GagaA minor100BPM
  10. Here Comes the HotstepperIni KamozeA minor100BPM

Recordings in A minor, ordered by how near their tempo is to 100 BPM. A calculation, not a recommendation.

All songs in A minorAll songs at 100 BPMA minor at 100–109 BPMGorillaz

MusicBrainz collapses 8 recording ids into this one. Recording id 81519da9-b8db-4d42-bd8b-011070c78bb7.