Guns N’ Roses · Use Your Illusion II
Yesterdays
Yesterdays is in F sharp major at 85.5 beats per minute.
Tempo
86 BPM · Andantemedian of 185 analyses · 85.5–85.5 across the middle eight tenths- Key
- F♯ major6 sharps · the key most of the analyses agreed on
- Agreement
- 96%share of analyses that agreed
- Analyses
- 185people who ran the extractor
- One beat
- 701.8milliseconds, 60,000 ÷ BPM
- Tuning
- 440Hz · 0 cents from A 440
- Dynamics
- 5.23dB the level wanders from its average
- Loudness
- 0.81Essentia's 0–1 scale, not dB
- Danceability
- 1.087Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
185 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 96% — put it in F sharp major, a key signature of 6 sharps. The tempo printed above is the median of the 185 readings; 100% of them land within 2% of it, and they barely differ at all.
At 85.5 BPM one beat lasts 701.8 milliseconds, so a sixteenth note is 175.4 ms and a dotted eighth 526.3 ms — the delay times for this recording. Counted half as fast it is 42.8 BPM, counted twice as fast 171. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 440 Hz, which is 0 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 5.23 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.81 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in F sharp major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with F♯ major
Each of these differs from F♯ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 86 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2807 | 0.36 |
| Half note | 2 | 1403.5 | 0.71 |
| Dotted quarter | 1.5 | 1052.6 | 0.95 |
| Quarter note (one beat) | 1 | 701.8 | 1.42 |
| Quarter triplet | 0.667 | 467.8 | 2.14 |
| Dotted eighth | 0.75 | 526.3 | 1.9 |
| Eighth note | 0.5 | 350.9 | 2.85 |
| Eighth triplet | 0.333 | 233.9 | 4.28 |
| Dotted sixteenth | 0.375 | 263.2 | 3.8 |
| Sixteenth note | 0.25 | 175.4 | 5.7 |
| Sixteenth triplet | 0.167 | 117 | 8.55 |
| Thirty-second note | 0.125 | 87.7 | 11.4 |
Half time 42.8 BPM · double time 171 BPM. Every row is one beat (701.8 ms) times the fraction in the second column.
Closest in key and tempo
- Thursday’s ChildDavid BowieF♯ major86BPM
- RojoJ BalvinF♯ major86BPM
- True ColorsPhil CollinsF♯ major86BPM
- The RiverImagine DragonsF♯ major85BPM
- Scared of LonelyBeyoncéF♯ major87BPM
- ChandelierSiaF♯ major87BPM
- The Sound of SettlingDeath Cab for CutieF♯ major88BPM
- AloneCéline DionF♯ major88BPM
- Murder InkDr. Dre featuring Hittman & Ms. RoqF♯ major88BPM
- The Boys of SummerDon HenleyF♯ major89BPM
Recordings in F sharp major, ordered by how near their tempo is to 86 BPM. A calculation, not a recommendation.
All songs in F sharp majorAll songs at 86 BPMF♯ major at 80–89 BPMGuns N’ Roses
MusicBrainz collapses 30 recording ids into this one. Recording id ed8ced59-66bb-4497-8ba9-d6bab7f1e950.