Janis Joplin · Pearl
Mercedes Benz
Mercedes Benz is in B flat major at 88.2 beats per minute.
Tempo
88 BPM · Andantemedian of 183 analyses · 87.5–88.6 across the middle eight tenths- Key
- B♭ major2 flats · the key most of the analyses agreed on
- Agreement
- 85%share of analyses that agreed
- Analyses
- 183people who ran the extractor
- One beat
- 680.3milliseconds, 60,000 ÷ BPM
- Tuning
- 444.6Hz · +18 cents from A 440
- Dynamics
- 11.34dB the level wanders from its average
- Loudness
- 0.604Essentia's 0–1 scale, not dB
- Danceability
- 1.157Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
183 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 85% — put it in B flat major, a key signature of 2 flats. The tempo printed above is the median of the 183 readings; 94% of them land within 2% of it, and the middle eight tenths of them run from 87.5 to 88.6 BPM.
At 88.2 BPM one beat lasts 680.3 milliseconds, so a sixteenth note is 170.1 ms and a dotted eighth 510.2 ms — the delay times for this recording. Counted half as fast it is 44.1 BPM, counted twice as fast 176.4. A score would mark that Andante, by the ranges this site uses.
The analyses put the reference pitch of the recording at 444.6 Hz, which is 18 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 11.34 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.604 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ major
Each of these differs from B♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 88 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 2721.1 | 0.37 |
| Half note | 2 | 1360.5 | 0.74 |
| Dotted quarter | 1.5 | 1020.4 | 0.98 |
| Quarter note (one beat) | 1 | 680.3 | 1.47 |
| Quarter triplet | 0.667 | 453.5 | 2.21 |
| Dotted eighth | 0.75 | 510.2 | 1.96 |
| Eighth note | 0.5 | 340.1 | 2.94 |
| Eighth triplet | 0.333 | 226.8 | 4.41 |
| Dotted sixteenth | 0.375 | 255.1 | 3.92 |
| Sixteenth note | 0.25 | 170.1 | 5.88 |
| Sixteenth triplet | 0.167 | 113.4 | 8.82 |
| Thirty-second note | 0.125 | 85 | 11.76 |
Half time 44.1 BPM · double time 176.4 BPM. Every row is one beat (680.3 ms) times the fraction in the second column.
Closest in key and tempo
- Let ’Em InWingsB♭ major88BPM
- Summer WindFrank SinatraB♭ major88BPM
- I’ll Still Kill50 Cent feat. AkonB♭ major88BPM
- Return to InnocenceEnigmaB♭ major88BPM
- Don’t Know WhyNorah JonesB♭ major89BPM
- These Arms of MineOtis ReddingB♭ major89BPM
- Emenius SleepusGreen DayB♭ major89BPM
- O‐o‐h ChildThe Five StairstepsB♭ major89BPM
- You Know You’re RightNirvanaB♭ major89BPM
- Be the OneDua LipaB♭ major88BPM
Recordings in B flat major, ordered by how near their tempo is to 88 BPM. A calculation, not a recommendation.
All songs in B flat majorAll songs at 88 BPMB♭ major at 80–89 BPMJanis Joplin
MusicBrainz collapses 20 recording ids into this one. Recording id b7450002-ca11-4854-883d-0282acaa2bc3.