Jet · Shine On
L’esprit d’escalier
L’esprit d’escalier is in C major at 145.1 beats per minute.
Tempo
145 BPM · Allegromedian of 132 analyses · 144.8–145.2 across the middle eight tenths- Key
- C majorno sharps and no flats · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 132people who ran the extractor
- One beat
- 413.5milliseconds, 60,000 ÷ BPM
- Tuning
- 440.9Hz · +3.5 cents from A 440
- Dynamics
- 6.38dB the level wanders from its average
- Loudness
- 0.902Essentia's 0–1 scale, not dB
- Danceability
- 0.837Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
132 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 132 readings; 100% of them land within 2% of it, and they barely differ at all.
At 145.1 BPM one beat lasts 413.5 milliseconds, so a sixteenth note is 103.4 ms and a dotted eighth 310.1 ms — the delay times for this recording. Counted half as fast it is 72.6 BPM, counted twice as fast 290.2. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 440.9 Hz, which is 3.5 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 6.38 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.902 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in C major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with C major
Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 145 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1654 | 0.6 |
| Half note | 2 | 827 | 1.21 |
| Dotted quarter | 1.5 | 620.3 | 1.61 |
| Quarter note (one beat) | 1 | 413.5 | 2.42 |
| Quarter triplet | 0.667 | 275.7 | 3.63 |
| Dotted eighth | 0.75 | 310.1 | 3.22 |
| Eighth note | 0.5 | 206.8 | 4.84 |
| Eighth triplet | 0.333 | 137.8 | 7.26 |
| Dotted sixteenth | 0.375 | 155.1 | 6.45 |
| Sixteenth note | 0.25 | 103.4 | 9.67 |
| Sixteenth triplet | 0.167 | 68.9 | 14.51 |
| Thirty-second note | 0.125 | 51.7 | 19.35 |
Half time 72.6 BPM · double time 290.2 BPM. Every row is one beat (413.5 ms) times the fraction in the second column.
Closest in key and tempo
- Loves Me Like a RockPaul SimonC major145BPM
- UnderdogAudio AdrenalineC major145BPM
- Strangeness and CharmFlorence + the MachineC major145BPM
- TushZZ TopC major145BPM
- If I Knew ThenBackstreet BoysC major145BPM
- RehabAmy WinehouseC major145BPM
- I Don’t Wanna Live Without Your LoveChicagoC major146BPM
- Country FeedbackR.E.M.C major144BPM
- Tomorrow Never CameLana Del Rey ft. Sean Ono LennonC major146BPM
- A Whiter Shade of PaleAnnie LennoxC major146BPM
Recordings in C major, ordered by how near their tempo is to 145 BPM. A calculation, not a recommendation.
All songs in C majorAll songs at 145 BPMC major at 140–149 BPMJet
MusicBrainz collapses 1 recording id into this one. Recording id 8d25edd1-6b04-4655-ab77-d06efc632c00.