Kelly Clarkson · Breakaway

Since U Been Gone

Since U Been Gone is in C major at 131 beats per minute.

Tempo

131 BPM · Allegromedian of 388 analyses · 131–131.1 across the middle eight tenths

Key: C majorno sharps and no flats · the key most of the analyses agreed on
Agreement: 99%share of analyses that agreed
Analyses: 388people who ran the extractor
One beat: 458milliseconds, 60,000 ÷ BPM
Tuning: 440.5Hz · +2 cents from A 440
Dynamics: 3.86dB the level wanders from its average
Loudness: 0.91Essentia's 0–1 scale, not dB
Danceability: 1.105Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

388 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in C major, a key signature of no sharps and no flats. The tempo printed above is the median of the 388 readings; 96% of them land within 2% of it, and they barely differ at all.

At 131 BPM one beat lasts 458 milliseconds, so a sixteenth note is 114.5 ms and a dotted eighth 343.5 ms — the delay times for this recording. Counted half as fast it is 65.5 BPM, counted twice as fast 262. A score would mark that Allegro, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440.5 Hz, which is 2 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.86 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.91 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in C major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with C major

Each of these differs from C major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 131 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	1832.1	0.55
Half note	2	916	1.09
Dotted quarter	1.5	687	1.46
Quarter note (one beat)	1	458	2.18
Quarter triplet	0.667	305.3	3.28
Dotted eighth	0.75	343.5	2.91
Eighth note	0.5	229	4.37
Eighth triplet	0.333	152.7	6.55
Dotted sixteenth	0.375	171.8	5.82
Sixteenth note	0.25	114.5	8.73
Sixteenth triplet	0.167	76.3	13.1
Thirty-second note	0.125	57.3	17.47

Half time 65.5 BPM · double time 262 BPM. Every row is one beat (458 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in C major, ordered by how near their tempo is to 131 BPM. A calculation, not a recommendation.

All songs in C major All songs at 131 BPM C major at 130–139 BPM Kelly Clarkson

MusicBrainz collapses 13 recording ids into this one. Recording id 1675df7d-f337-4b4a-8ee6-70122723cbcc.