Khalid · American Teen
Young Dumb & Broke
Young Dumb & Broke is in B flat minor at 137 beats per minute.
Tempo
137 BPM · Allegromedian of 161 analyses · 137–137 across the middle eight tenths- Key
- B♭ minor5 flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 161people who ran the extractor
- One beat
- 438milliseconds, 60,000 ÷ BPM
- Tuning
- 434.2Hz · -23 cents from A 440
- Dynamics
- 4.02dB the level wanders from its average
- Loudness
- 0.944Essentia's 0–1 scale, not dB
- Danceability
- 1.234Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
161 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in B flat minor, a key signature of 5 flats. The tempo printed above is the median of the 161 readings; 100% of them land within 2% of it, and they barely differ at all.
At 137 BPM one beat lasts 438 milliseconds, so a sixteenth note is 109.5 ms and a dotted eighth 328.5 ms — the delay times for this recording. Counted half as fast it is 68.5 BPM, counted twice as fast 274. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.02 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.944 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in B flat minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with B♭ minor
Each of these differs from B♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 137 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1751.8 | 0.57 |
| Half note | 2 | 875.9 | 1.14 |
| Dotted quarter | 1.5 | 656.9 | 1.52 |
| Quarter note (one beat) | 1 | 438 | 2.28 |
| Quarter triplet | 0.667 | 292 | 3.43 |
| Dotted eighth | 0.75 | 328.5 | 3.04 |
| Eighth note | 0.5 | 219 | 4.57 |
| Eighth triplet | 0.333 | 146 | 6.85 |
| Dotted sixteenth | 0.375 | 164.2 | 6.09 |
| Sixteenth note | 0.25 | 109.5 | 9.13 |
| Sixteenth triplet | 0.167 | 73 | 13.7 |
| Thirty-second note | 0.125 | 54.7 | 18.27 |
Half time 68.5 BPM · double time 274 BPM. Every row is one beat (438 ms) times the fraction in the second column.
Closest in key and tempo
- Jump Out the WindowBig SeanB♭ minor137BPM
- TrustPrinceB♭ minor137BPM
- Somebody Told MeThe KillersB♭ minor138BPM
- Next Plane OutCéline DionB♭ minor138BPM
- Scatman (Ski‐Ba‐Bop‐Ba‐Dop‐Bop)Scatman JohnB♭ minor136BPM
- RadioBeyoncéB♭ minor136BPM
- WomanizerBritney SpearsB♭ minor139BPM
- Summer BummerLana Del Rey ft. A$AP Rocky & Playboi CartiB♭ minor135BPM
- Farewell to EarthPaul DinletirB♭ minor139BPM
- Drunk in LoveBeyoncé featuring JAY ZB♭ minor140BPM
Recordings in B flat minor, ordered by how near their tempo is to 137 BPM. A calculation, not a recommendation.
All songs in B flat minorAll songs at 137 BPMB♭ minor at 130–139 BPM
MusicBrainz collapses 6 recording ids into this one. Recording id ce0c4f75-d7bf-49aa-95fe-832781a376bf.