Lenny Kravitz · Mama Said
It Ain’t Over ’Til It’s Over
It Ain’t Over ’Til It’s Over is in D flat major at 161.5 beats per minute.
Tempo
162 BPM · Vivacemedian of 190 analyses · 106.4–161.6 across the middle eight tenths- Key
- D♭ major5 flats · the key most of the analyses agreed on
- Agreement
- 99%share of analyses that agreed
- Analyses
- 190people who ran the extractor
- One beat
- 371.5milliseconds, 60,000 ÷ BPM
- Tuning
- 441.8Hz · +7 cents from A 440
- Dynamics
- 4.44dB the level wanders from its average
- Loudness
- 0.811Essentia's 0–1 scale, not dB
- Danceability
- 1.161Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
190 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in D flat major, a key signature of 5 flats. The tempo printed above is the median of the 190 readings; 83% of them land within 2% of it, and the middle eight tenths of them run from 106.4 to 161.6 BPM.
At 161.5 BPM one beat lasts 371.5 milliseconds, so a sixteenth note is 92.9 ms and a dotted eighth 278.6 ms — the delay times for this recording. Counted half as fast it is 80.8 BPM, counted twice as fast 323. A score would mark that Vivace, by the ranges this site uses.
The analyses put the reference pitch of the recording at 441.8 Hz, which is 7 cents above concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.44 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.811 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in D flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with D♭ major
Each of these differs from D♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 162 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1486.1 | 0.67 |
| Half note | 2 | 743 | 1.35 |
| Dotted quarter | 1.5 | 557.3 | 1.79 |
| Quarter note (one beat) | 1 | 371.5 | 2.69 |
| Quarter triplet | 0.667 | 247.7 | 4.04 |
| Dotted eighth | 0.75 | 278.6 | 3.59 |
| Eighth note | 0.5 | 185.8 | 5.38 |
| Eighth triplet | 0.333 | 123.8 | 8.07 |
| Dotted sixteenth | 0.375 | 139.3 | 7.18 |
| Sixteenth note | 0.25 | 92.9 | 10.77 |
| Sixteenth triplet | 0.167 | 61.9 | 16.15 |
| Thirty-second note | 0.125 | 46.4 | 21.53 |
Half time 80.8 BPM · double time 323 BPM. Every row is one beat (371.5 ms) times the fraction in the second column.
Closest in key and tempo
- DreamerOzzy OsbourneD♭ major162BPM
- AnthologyThriceD♭ major162BPM
- 21st Century BreakdownGreen DayD♭ major162BPM
- Baby Let Me Take You (in My Arms)Detroit EmeraldsD♭ major163BPM
- No Earthly GoodJohnny CashD♭ major165BPM
- River LeaAdeleD♭ major165BPM
- Les Cloches du HameauCéline DionD♭ major166BPM
- Too Much HeavenBee GeesD♭ major166BPM
- Shut DownThe Beach BoysD♭ major156BPM
- A Teenager in LoveDion & The BelmontsD♭ major156BPM
Recordings in D flat major, ordered by how near their tempo is to 162 BPM. A calculation, not a recommendation.
All songs in D flat majorAll songs at 162 BPMD♭ major at 160–169 BPMLenny Kravitz
MusicBrainz collapses 22 recording ids into this one. Recording id 960d358d-b00f-48da-90b8-4e3643a29074.