Lily Allen · It’s Not Me, It’s You
22
22 is in E flat major at 131 beats per minute.
Tempo
131 BPM · Allegromedian of 137 analyses · 131–131 across the middle eight tenths- Key
- E♭ major3 flats · the key most of the analyses agreed on
- Agreement
- 100%share of analyses that agreed
- Analyses
- 137people who ran the extractor
- One beat
- 458milliseconds, 60,000 ÷ BPM
- Tuning
- 438.2Hz · -7 cents from A 440
- Dynamics
- 3.44dB the level wanders from its average
- Loudness
- 0.95Essentia's 0–1 scale, not dB
- Danceability
- 1.465Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
137 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 100% — put it in E flat major, a key signature of 3 flats. The tempo printed above is the median of the 137 readings; 100% of them land within 2% of it, and they barely differ at all.
At 131 BPM one beat lasts 458 milliseconds, so a sixteenth note is 114.5 ms and a dotted eighth 343.5 ms — the delay times for this recording. Counted half as fast it is 65.5 BPM, counted twice as fast 262. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 438.2 Hz, which is 7 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.44 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.95 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E♭ major
Each of these differs from E♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 131 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1832.1 | 0.55 |
| Half note | 2 | 916 | 1.09 |
| Dotted quarter | 1.5 | 687 | 1.46 |
| Quarter note (one beat) | 1 | 458 | 2.18 |
| Quarter triplet | 0.667 | 305.3 | 3.28 |
| Dotted eighth | 0.75 | 343.5 | 2.91 |
| Eighth note | 0.5 | 229 | 4.37 |
| Eighth triplet | 0.333 | 152.7 | 6.55 |
| Dotted sixteenth | 0.375 | 171.8 | 5.82 |
| Sixteenth note | 0.25 | 114.5 | 8.73 |
| Sixteenth triplet | 0.167 | 76.3 | 13.1 |
| Thirty-second note | 0.125 | 57.3 | 17.47 |
Half time 65.5 BPM · double time 262 BPM. Every row is one beat (458 ms) times the fraction in the second column.
Closest in key and tempo
- Take Back the CitySnow PatrolE♭ major131BPM
- Dirty DianaMichael JacksonE♭ major131BPM
- HeliosphanAphex TwinE♭ major131BPM
- Silver MachineHawkwindE♭ major130BPM
- Lazing on a Sunday AfternoonQueenE♭ major132BPM
- Get It HotAC/DCE♭ major130BPM
- I Don’t Wanna KnowPhil CollinsE♭ major130BPM
- MemoriesDavid Guetta feat. Kid CudiE♭ major130BPM
- BreatheProdigyE♭ major130BPM
- Don’t Leave Me This WayCommunards with Sarah Jane MorrisE♭ major132BPM
Recordings in E flat major, ordered by how near their tempo is to 131 BPM. A calculation, not a recommendation.
All songs in E flat majorAll songs at 131 BPME♭ major at 130–139 BPMLily Allen
MusicBrainz collapses 9 recording ids into this one. Recording id 976a369d-5a44-4034-9922-7533e5692934.