Madonna · Hard Candy

Miles Away

Miles Away is in F major at 116 beats per minute.

Tempo

116 BPM · Moderatomedian of 163 analyses · 115.8–116 across the middle eight tenths

Key: F major1 flat · the key most of the analyses agreed on
Agreement: 99%share of analyses that agreed
Analyses: 163people who ran the extractor
One beat: 517.2milliseconds, 60,000 ÷ BPM
Tuning: 434.2Hz · -23 cents from A 440
Dynamics: 3.87dB the level wanders from its average
Loudness: 0.95Essentia's 0–1 scale, not dB
Danceability: 1.667Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

163 independent analyses of this recording were submitted to AcousticBrainz. All but a handful of them — 99% — put it in F major, a key signature of 1 flat. The tempo printed above is the median of the 163 readings; 99% of them land within 2% of it, and they barely differ at all.

At 116 BPM one beat lasts 517.2 milliseconds, so a sixteenth note is 129.3 ms and a dotted eighth 387.9 ms — the delay times for this recording. Counted half as fast it is 58 BPM, counted twice as fast 232. A score would mark that Moderato, by the ranges this site uses.

The analyses put the reference pitch of the recording at 434.2 Hz, which is 23 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.87 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.95 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in F major; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with F major

Each of these differs from F major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 116 BPM

Note value	Beats	Milliseconds	Hertz
Whole note	4	2069	0.48
Half note	2	1034.5	0.97
Dotted quarter	1.5	775.9	1.29
Quarter note (one beat)	1	517.2	1.93
Quarter triplet	0.667	344.8	2.9
Dotted eighth	0.75	387.9	2.58
Eighth note	0.5	258.6	3.87
Eighth triplet	0.333	172.4	5.8
Dotted sixteenth	0.375	194	5.16
Sixteenth note	0.25	129.3	7.73
Sixteenth triplet	0.167	86.2	11.6
Thirty-second note	0.125	64.7	15.47

Half time 58 BPM · double time 232 BPM. Every row is one beat (517.2 ms) times the fraction in the second column.

Closest in key and tempo

Recordings in F major, ordered by how near their tempo is to 116 BPM. A calculation, not a recommendation.

All songs in F major All songs at 116 BPM F major at 110–119 BPM Madonna

MusicBrainz collapses 13 recording ids into this one. Recording id 95e3b5e4-f44b-436e-9aea-933d01aa6c4c.