Marvin Gaye & Tammi Terrell · United
Ain’t No Mountain High Enough
Ain’t No Mountain High Enough is in E minor at 129.2 beats per minute.
Tempo
129 BPM · Allegromedian of 324 analyses · 129.1–129.8 across the middle eight tenths- Key
- E minor1 sharp · the key most of the analyses agreed on
- Agreement
- 56%share of analyses that agreed
- Analyses
- 324people who ran the extractor
- One beat
- 464.4milliseconds, 60,000 ÷ BPM
- Tuning
- 438.2Hz · -7 cents from A 440
- Dynamics
- 3.61dB the level wanders from its average
- Loudness
- 0.901Essentia's 0–1 scale, not dB
- Danceability
- 1.157Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
324 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 56% — put it in E minor, a key signature of 1 sharp. The tempo printed above is the median of the 324 readings; 100% of them land within 2% of it, and they barely differ at all.
At 129.2 BPM one beat lasts 464.4 milliseconds, so a sixteenth note is 116.1 ms and a dotted eighth 348.3 ms — the delay times for this recording. Counted half as fast it is 64.6 BPM, counted twice as fast 258.4. A score would mark that Allegro, by the ranges this site uses.
The analyses put the reference pitch of the recording at 438.2 Hz, which is 7 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 3.61 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.901 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in E minor; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with E minor
Each of these differs from E minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 129 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 1857.6 | 0.54 |
| Half note | 2 | 928.8 | 1.08 |
| Dotted quarter | 1.5 | 696.6 | 1.44 |
| Quarter note (one beat) | 1 | 464.4 | 2.15 |
| Quarter triplet | 0.667 | 309.6 | 3.23 |
| Dotted eighth | 0.75 | 348.3 | 2.87 |
| Eighth note | 0.5 | 232.2 | 4.31 |
| Eighth triplet | 0.333 | 154.8 | 6.46 |
| Dotted sixteenth | 0.375 | 174.1 | 5.74 |
| Sixteenth note | 0.25 | 116.1 | 8.61 |
| Sixteenth triplet | 0.167 | 77.4 | 12.92 |
| Thirty-second note | 0.125 | 58 | 17.23 |
Half time 64.6 BPM · double time 258.4 BPM. Every row is one beat (464.4 ms) times the fraction in the second column.
Closest in key and tempo
- Love FoolosophyJamiroquaiE minor129BPM
- Take Me to ChurchHozierE minor129BPM
- Superstylin’Groove ArmadaE minor129BPM
- Voulez‐vous danserAce of BaseE minor129BPM
- Are You Gonna Go My WayLenny KravitzE minor129BPM
- Money (That’s What I Want)The BeatlesE minor129BPM
- VenusShocking BlueE minor129BPM
- Eight Miles HighThe ByrdsE minor130BPM
- Pigs (Three Different Ones)Pink FloydE minor130BPM
- PromisesThe CranberriesE minor130BPM
Recordings in E minor, ordered by how near their tempo is to 129 BPM. A calculation, not a recommendation.
All songs in E minorAll songs at 129 BPME minor at 120–129 BPMMarvin Gaye & Tammi Terrell
MusicBrainz collapses 29 recording ids into this one. Recording id b04b5028-da5b-4f05-bfe3-4f8f80396d98.