Metallica · Reload

Where the Wild Things Are

Where the Wild Things Are is in E flat minor at 91.9 beats per minute.

4080120160200

Tempo

92 BPM · Andantemedian of 130 analyses · 91.9–92 across the middle eight tenths
Key
E♭ minor6 flats · the key most of the analyses agreed on
Agreement
92%share of analyses that agreed
Analyses
130people who ran the extractor
One beat
652.9milliseconds, 60,000 ÷ BPM
Tuning
440.3Hz · +1 cents from A 440
Dynamics
3.45dB the level wanders from its average
Loudness
0.912Essentia's 0–1 scale, not dB
Danceability
1.14Essentia's danceability, 0–3

Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.

What the numbers say

130 independent analyses of this recording were submitted to AcousticBrainz. Most of them — 92% — put it in E flat minor, a key signature of 6 flats. The tempo printed above is the median of the 130 readings; 99% of them land within 2% of it, and they barely differ at all.

At 91.9 BPM one beat lasts 652.9 milliseconds, so a sixteenth note is 163.2 ms and a dotted eighth 489.7 ms — the delay times for this recording. Counted half as fast it is 46 BPM, counted twice as fast 183.8. A score would mark that Andante, by the ranges this site uses.

The analyses put the reference pitch of the recording at 440.3 Hz, which is 1 cents above concert A at 440 Hz — close enough to standard that a tuner would not argue. That is a fact about this transfer of the music, not about how it was played.

The dynamic complexity of the recording measures 3.45 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.912 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.

10 other recordings here are in E flat minor; the ones listed below are the closest in tempo.

Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.

Keys that fit with E♭ minor

Each of these differs from E♭ minor by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.

Delay times at 92 BPM

Note valueBeatsMillisecondsHertz
Whole note42611.50.38
Half note21305.80.77
Dotted quarter1.5979.31.02
Quarter note (one beat)1652.91.53
Quarter triplet0.667435.32.3
Dotted eighth0.75489.72.04
Eighth note0.5326.43.06
Eighth triplet0.333217.64.6
Dotted sixteenth0.375244.84.08
Sixteenth note0.25163.26.13
Sixteenth triplet0.167108.89.19
Thirty-second note0.12581.612.25

Half time 46 BPM · double time 183.8 BPM. Every row is one beat (652.9 ms) times the fraction in the second column.

Closest in key and tempo

  1. Hey, Mr. DJ (Keep Playin’ This Song)Backstreet BoysE♭ minor92BPM
  2. Rock BottomEminemE♭ minor92BPM
  3. Here to StayChristina AguileraE♭ minor91BPM
  4. How Do U Want It2Pac feat. K‐Ci & JoJoE♭ minor93BPM
  5. SoberP!nkE♭ minor91BPM
  6. Get Up 10Cardi BE♭ minor93BPM
  7. On FireVan HalenE♭ minor91BPM
  8. Over and OverBlack SabbathE♭ minor91BPM
  9. Remember Me?Eminem featuring RBX and Sticky FingazE♭ minor90BPM
  10. Down With the SicknessDisturbedE♭ minor90BPM

Recordings in E flat minor, ordered by how near their tempo is to 92 BPM. A calculation, not a recommendation.

All songs in E flat minorAll songs at 92 BPME♭ minor at 90–99 BPMMetallica

MusicBrainz collapses 1 recording id into this one. Recording id b13eceb1-53e5-439f-b021-620bc97b602a.