Michael Bublé with Naturally 7 · Crazy Love
Stardust
Stardust is in A flat major at 65.9 beats per minute.
Tempo
66 BPM · Adagiomedian of 131 analyses · 65.9–131.9 across the middle eight tenths- Key
- A♭ major4 flats · the key most of the analyses agreed on
- Agreement
- 73%share of analyses that agreed
- Analyses
- 131people who ran the extractor
- One beat
- 910.5milliseconds, 60,000 ÷ BPM
- Tuning
- 436.2Hz · -15 cents from A 440
- Dynamics
- 4.26dB the level wanders from its average
- Loudness
- 0.762Essentia's 0–1 scale, not dB
- Danceability
- 0.979Essentia's danceability, 0–3
Source: AcousticBrainz, dump of 2022-06-23 (CC0) · MusicBrainz core data, 2026-09-17 (CC0) · how each number is measured. Measured up to 23.06.2022 — AcousticBrainz stopped collecting in 2022, so nothing released after that date is here.
What the numbers say
131 independent analyses of this recording were submitted to AcousticBrainz. A bare majority of them — 73% — put it in A flat major, a key signature of 4 flats. The tempo printed above is the median of the 131 readings; 62% of them land within 2% of it, and the middle eight tenths of them run from 65.9 to 131.9 BPM.
At 65.9 BPM one beat lasts 910.5 milliseconds, so a sixteenth note is 227.6 ms and a dotted eighth 682.9 ms — the delay times for this recording. Counted half as fast it is 33 BPM, counted twice as fast 131.8. A score would mark that Adagio, by the ranges this site uses.
The analyses put the reference pitch of the recording at 436.2 Hz, which is 15 cents below concert A at 440 Hz — the sort of drift a tape machine or a slightly different mastering leaves behind. That is a fact about this transfer of the music, not about how it was played.
The dynamic complexity of the recording measures 4.26 dB: that is how far the level wanders from its own average, so a small number means a loud, flat master and a large one means a recording that still breathes. Its average loudness is 0.762 on Essentia's 0-to-1 scale, which is not decibels and is not comparable to a streaming service's number.
10 other recordings here are in A flat major; the ones listed below are the closest in tempo.
Beats per bar are not in this dataset. AcousticBrainz's analysis reports a tempo, a key and a loudness, and no time signature at all, so this page does not print one — a 4/4 here would be a guess dressed as a measurement.
Keys that fit with A♭ major
Each of these differs from A♭ major by at most one accidental, or shares its tonic. That is the whole of what a mixing wheel encodes; here the relations are named instead of numbered.
Delay times at 66 BPM
| Note value | Beats | Milliseconds | Hertz |
|---|---|---|---|
| Whole note | 4 | 3641.9 | 0.27 |
| Half note | 2 | 1820.9 | 0.55 |
| Dotted quarter | 1.5 | 1365.7 | 0.73 |
| Quarter note (one beat) | 1 | 910.5 | 1.1 |
| Quarter triplet | 0.667 | 607 | 1.65 |
| Dotted eighth | 0.75 | 682.9 | 1.46 |
| Eighth note | 0.5 | 455.2 | 2.2 |
| Eighth triplet | 0.333 | 303.5 | 3.3 |
| Dotted sixteenth | 0.375 | 341.4 | 2.93 |
| Sixteenth note | 0.25 | 227.6 | 4.39 |
| Sixteenth triplet | 0.167 | 151.7 | 6.59 |
| Thirty-second note | 0.125 | 113.8 | 8.79 |
Half time 33 BPM · double time 131.8 BPM. Every row is one beat (910.5 ms) times the fraction in the second column.
Closest in key and tempo
- Ten Long YearsB.B. King & Eric ClaptonA♭ major65BPM
- When I Fall in LoveCéline Dion & Clive GriffinA♭ major70BPM
- Polynomial-CAphex TwinA♭ major72BPM
- That’s EnoughRay CharlesA♭ major77BPM
- EbudæEnyaA♭ major78BPM
- HunterBjörkA♭ major80BPM
- Love HurtsCherA♭ major80BPM
- Why Should I Cry for You (radio mix)StingA♭ major81BPM
- So BadEminemA♭ major81BPM
- Got Me WrongAlice in ChainsA♭ major84BPM
Recordings in A flat major, ordered by how near their tempo is to 66 BPM. A calculation, not a recommendation.
MusicBrainz collapses 1 recording id into this one. Recording id 8108dd7d-567c-4721-8a9b-3ef18c4139f6.